A playful young man leads a very happy life, but everything changes when his father witnesses a heinous crime.
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Task Force X targets a powerful mystical object that they will risk their lives to steal.
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“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.
Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.
Love. It just happens. No rules. It may look sick, but it’s deep and it hurts. For everyone, Alex and Kiki are just good friends. They happen to be two girls experiencing another kind of love. For their family, Kiki and Sandu are sister and brother who sometimes fight. They happen to be lovers. Love Sick is about their stories.
After being bitten by a genetically altered spider, nerdy high school student Peter Parker is endowed with amazing powers.
A pregnant doctor’s life is made hell by the deranged patient to whom she gave a hysterectomy, without the patient’s consent.