Mie’s (Haru) father died during the aftermath of the 2011 Tōhoku earthquake and tsunami. One day, she finds a bundle of unsent New Year’s cards, which languished there for 28 years. To find out why the cards were never sent, Mie tracks down Haruhiko Sakacho (Kiichi Nakai). Haruhiko played on the same high school baseball team with her father. Mie eventually gathers together her father’s former teammates to play in the Masters Koshien (a senior league baseball tournament). Mie also uncovers a truth about her father and the baseball team.

Beth, a bookish teenager, befriends Emilia, an aspiring novelist who has just arrived in town. Emilia soon begins an affair with Beth’s father that threatens to have devastating consequences.

Co-pilot Kazuhiro (Tanabe Seiichi) is up for promotion, but before he can get his captain’s wings he has to get through a flight evaluation, and things aren’t exactly going his way. He just crashed and burned on a simulated flight test, and his friendly examiner has been replaced with the tough-as-nails Harada (Tokito Saburo). On the same plane is cabin attendant Etsuko (Ayase Haruka) who’s flying her first international flight and trying hard to not mess up. Elsewhere in the Happy Flight universe, staff are bustling back and forth with various problems and gripes – all to make this ordinary yet fateful flight a safe and happy one.

After a run-in with local thugs, aspiring Harlem rapper Rob flees to a place and father he never knew, and finds his salvation in Reggaeton, a spicy blend of hip-hop, reggae and Latin beats. Puerto Rico, the spiritual home of Reggaeton, inspires Rob and his step-brother Javi to pursue their dream of becoming Reggaeton stars. Together with a dancer named C.C., they learn what it means to stay true to themselves and each other, while overcoming obstacles in love, greed and pride, all culminating in an explosive performance at New York’s Puerto Rican Day Parade.

An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net.

A scattered college kid, Arlo, and his frat-bro roommate, Blake, try to navigate their hyper-masculine tendencies and their aggression boils over when they end up competing for the same girl.

In the wake of a freak accident, Lance suffers the worst tragedy and the greatest opportunity of his life. He is suddenly faced with the possibility of fame, fortune and popularity, if he can only live with the knowledge of how he got there.

The Apache Indians have reluctantly agreed to settle on a US Government approved reservation. Not all the Apaches are able to adapt to the life of corn farmers. One in particular, Geronimo, is restless. Pushed over the edge by broken promises and necessary actions by the government, Geronimo and thirty or so other warriors form an attack team which humiliates the government by evading capture, whi

The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

Chicano gangster Micky Solis finds that his family has been slaughtered by the Chinese mob. His whole life force turns to finding the killers. A slick lawyer (Angus MacFadyen) leads Micky to a “nun” (Paz De La Huerta) who shows him who the killers are that took his family from him. Micky unleashes a war of bullets and emotions on the family until each one dies by the same sword they wielded. The only thought on Micky’s mind is REVENGE: VENGANZA.

Based on “Sister of the Road,” the fictionalized autobiography of radical and transient Bertha Thompson as written by physician Dr. Ben L. Reitman, ‘Boxcar’ Bertha Thompson, a woman labor organizer in Arkansas during the violence-filled Depression of the early ’30’s meets up with rabble-rousing union man ‘Big’ Bill Shelly and they team up to fight the corrupt railroad establishment.

Confronted with a series of racially charged incidents, a young black man must overcome rage, alienation, and hopelessness in order to find his own humanity.