PARK Jae-sang was a royal geomancer, who helps people designate propitious site for houses, store and even graves under the belief that a grave in a good site will bring future fortune for descendants. But he loses his family because he exposed a conspiracy about crown Prince’s grave site. PARK Jae-sang plans to make a revenge of his family and learns that there is a much bigger conspiracy about propitious grave site; the place that would make grave owner’s son the King of Joseon.
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As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir’s “Picnic At Hanging Rock,” a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene’s most outrageous flicks and interviews with the renegade filmmakers themselves.
During the dates of celebrating the Emperor’s 80th birthday, an opera troupe from southern China was invited to come to Beijing to perform for the Emperor. Afterwards, the opera troupe was granted to stay in Beijing and became what we had known as ‘Peking Opera’ today.
Much awarded animated documentary, in which director and Israeli army veteran Ari Folman interviews friends and former soldiers about their memories of the 1982 Lebanon war and especially the Sabra and Shatila massacre in Beirut. The usage on animation enabled Folman to illustrate their personal memories and dreams.
Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors’ crimes? Is it possible to move on from the crimes of their ancestors?
The account of keepers of the Warsaw Zoo, Jan and Antonina Zabinski, who helped save hundreds of people and animals during the Nazi invasion.
The artist behind the sensation of a $10 million, 22-city tour, and the international media storm that ensued.
Set before the Battle of Trafalgar, this is the story of relationship between Admiral Lord Nelson and Lady Hamilton during the Napoleonic Wars.
The last days of the first Romanian king, Carol I of Hohenzollern-Sigmaringen, and the tough decisions he had to make in the summer of 1914 in order to please both Romanian Parliament and his relatives from the German Empire.
Jon, a young peasant love more “the land” than his engaged girlhood, Florica.Just when Ion thinks he has become master of his own land, he realizes that he has betrayed his heart, and that he is still in love with Florica, not with his wife. It is the curse of love that will be Ion’s undoing. Badly mistreated, Ana, his wife, is driven to despair and she hangs herself. Ion, now free and wealthy, believes that the time has come for him to have Florica. Florica’s husband, George waylays Ion and savagely murders him with a hoe.
In December 2004, close-knit family Maria, Henry and their three sons begin their winter vacation in Thailand. But the day after Christmas, the idyllic holiday turns into an incomprehensible nightmare when a terrifying roar rises from the depths of the sea, followed by a wall of black water that devours everything in its path. Though Maria and her family face their darkest hour, unexpected displays of kindness and courage ameliorate their terror.
Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut’s “belt of misery,” the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.
