Everyone knows the stories of Robin Hood and Maid Marian, but this the story of what happens next. Out of the shadows, a legend returns to save her people from the tyranny of the disgraced Sheriff of Nottingham. Robin Hood remains at war and Marian must put her own combat skills to the test, creating a new tale that will be heralded throughout the ages.

When the ladies who inhabit the all-lesbian planet of Aquaterra need some top-grade male breeding stock, what else would they do besides don their bikinis and blast off for planet Earth? With men on their minds, two of Aquaterra’s finest run into plenty of adventures as they search for Earth studs in director Nicholas Medina’s erotic spoof starring Alexandre Boisvert, Evan Stone and Brad Bartram.

Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

Master Kung and Lo Pa are two police officers of White Horse City, who have high skills but are underused. A robbery happened at he city’s richest man Ho Pak Man’s home where his whole family was killed and their family treasure the “White Jade Goddess of Mercy” was stolen and the “Police God” Tit Mo Ching investigates the case. Kung and Lo Pa cannot participate because of their low status. Coincidentally, Master Kung and Lo Pa arrest a pair of twin sisters, Water Dragon Girl and Fire Dragon Girl, who always pretend to catch wanted criminals to get monetary rewards. The twin sisters know that the “White Jade Goddess of Mercy” would be brought to the “Treasure Inn” for an auction. Wanting to hit big, Master Kung and Lo Pa go to the “Treasure Inn” with the twin sisters to investigate the truth. During that time, Master Kung and Water Dragon Girl become lovers from a kiss.

Hee Haw is an American television variety show featuring country music and humor with fictional rural Kornfield Kounty as a backdrop. It aired on CBS-TV from 1969–1971 before a 20-year run in local syndication. The show was inspired by Rowan & Martin’s Laugh-In,[1] the major difference being that Hee Haw was far less topical, and was centered on country music. Initially co-hosted by musicians Buck Owens and Roy Clark, the show was equally well-known for its voluptuous, scantily-clad women in stereotypical farmer’s daughter outfits, male stars Jim and Jon Hager and its cornpone humor.

A teenage girl must commit horror movie sins such as drink alcohol, do drugs, and have sex to lure a killer and finish him off.

A romantic comedy that centers around a young mother named Flick. After a lifetime of problems and disappointments with men, she decides she wants to spend her life with a woman. As sweet and funny as she is, Flick is flawed and confused but has come up with an unconventional way to find her new mate; A weekend sleepover. She finds the 5 women that she’s recently met and has been attracted to in one way or another and invites them to spend a weekend at an out of the way summer house by the beach.

When Peter Plunkett’s Irish castle turned hotel is about to be repossesed, he decides to spice up the attraction a bit for the ‘Yanks’ by having his staff pretend to haunt the castle. The trouble begins when a busload of American tourists arrive – along with some real ghosts.

A philosophizing uninvited hitchhiker terrorizes a writer, who’s selling dictionaries while he’s struggling with writer’s block.

Yearning for an evening without their kids, some friends plan a night out. But to do this, their husbands need to watch the kids. What can go wrong?

Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It’s not until this foursome is forced to look for an additional guitar player after Jin’s dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R’n’R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band’s true hero.

Mary moves back to her suburban hometown to find that the suburbs are scarier in more ways than she ever remembered.