In 1993, 16-year-old Brandon Lee enrolled at Bearsden Academy, a secondary school in a well-to-do suburb of Glasgow, Scotland. What followed over the next two years would become the stuff of legend.
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Who hasn’t felt apprehensive at the thought of starting high school? This is the central theme of this short animated film. Playing on imagination and humour, the director offers viewers a thought provoking piece dealing with the transition that young people between the ages of 10 and 13 experience. Inspired by the work of Escher and Magritte, Catherine Arcand has created a graphically rich film through optical illusions and trompe-l’oeil effects. Her style aptly illustra tes the theme of perceptions and is perfectly suited to conveying the dream world into which the film takes us.
The surprising story of how one of music’s biggest icons helped to establish a USS Arizona memorial in Pearl Harbor. Elvis’ fundraising concert drew public attention to the plight and helped to galvanize efforts to finish the USS Arizona Memorial as it stands today.
Fashion designer Amy Powney is at the peak of her career, but she’s troubled by her industry’s wasteful practices. Fashion Reimagined follows her transformative global journey to create a collection that’s sustainable on every level.
As the world’s first all quadriplegic esports gaming team, the Quad Gods are fierce competitors in this captivating story that challenges assumptions about disability, and spotlights the restorative power of resilience, passion and found community
After being named runner up and one of the five favorite acts of all time on America’s Got Talent, Taylor Williamson stars in his first standup comedy special! In his comedy routine, Taylor covers all the important problems we face in our crazy world: Japanese dancers taking jobs away from Americans on reality shows, strangers wanting to talk to you on airplanes, and the worst problem of all… Duvets!
The Unbookables is a narrative documentary about stand-up comics who have spent their careers pushing limits–on stage and off. Relegated to small venues and touring in a crappy van through the Midwest they careen between the desire to succeed and the reality that there may be nothing left to lose. Road life is far from glamorous: comics come and go and cruel pranks and hard drinking punctuate their obsidian dark comedy on stage. They succeed and fail-spectacularly. When they face being fired for going too far on stage, the conflict culminates in a showdown: compromise or double down?
Between 1988 and 1992, British Electronic duo The KLF had scored #1 records throughout the world and had become household names. Determined to ridicule the establishment, they battled The Beatles and ABBA after sampling their music in hit records, and published the best-selling book The Manual (How to Have a Number One the Easy Way). In 1993, to mock performance art in the ultimate fashion, The KLF set fire to £1,000,000 in cash and destroyed their entire catalogue, vanishing from the public view… until now.
Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.
In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services.
A collage-like, incisive look at the life of writer, painter and thinker David Wojnarowicz, whose powerful, unapologetic way of seeing the world gave voice to queer rights at a critical time in US history.
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
