Young Violetta and her mother Hannah are a peculiar couple. Ten-year-old Violetta lives a quiet life with her grandmother, while her mother Hannah is an unpredictable photographer who lives off of the generosity of others. When Hannah forces her daughter to pose as a model, Violetta finds her life with her loving grandmother turned upside down.The resulting pictures quickly become a sensation for the trendy 70’s Paris art scene, and Violetta finds herself caught in between her new stature as an art muse and her dull childhood.
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Four women are given into the custody of the Magdalene sisterhood asylum to correct their sinful behavior: Crispina and Rose have given birth to a premarital child, Margaret got raped by her cousin and the orphan Bernadette had been repeatedly caught flirting with the boys. All have to work in a laundry under the strict supervision of the nuns, who break their wills through sadistic punishment.
Days after their father’s death, the Somerset brothers must face the one thing they despise – each other.
Actress Margaret Elliot is well past her prime but refuses to retire from the acting business. Despite entreaties from both her daughter, Gretchen, and one-time professional colleague Jim Johannsen, Margaret remains convinced that she can regain her former glory. As she sets her sights on a coveted Hollywood role, Johannsen tries doggedly to get his unrequited love to see the folly of her ways.
Peter (Travis Owens) is an aspiring comedian encouraged by his friend Ben (Ben Price, Australia’s Got Talent finalist) to perform at the local comedy club. But stage fright isn’t Peter’s only fear. When confronted with one of today’s most divisive issues, he feels compelled to speak, but can he? Challenged by his coworker Diana (Molly Ritter) to defend his convictions about homosexuality and gay marriage, will he have the courage to stand for what he believes—even at the risk of losing a friendship? And how will he respond when faced with a harrowing life-or-death experience? “Audacity” uses a unique approach to address a very sensitive subject in contemporary society. Regardless of your views on homosexuality, you’ll gain fresh insights and a new perspective.
Tsukasa got into a severe car accident when she was a high school student. She still suffers from the effects of that accident, with memory impairment and needing to use a wheelchair. Tsukasa falls in love with taxi driver Masaki. Even though they have difficulties, they try to make a happy family together, but they encounter another serious situation.
Tulus panicked when his older sister, Dinda, fainted at school after being hit by a ball. Things got worse when his only sibling was diagnosed with a fatal disease. Tulus witnessed his parents’ tearful struggle to pay medical bills, even being chased by debt collectors. At the age of 7, Tulus tried to do the best he could, by sending letters to God.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the “concerned friend” gag as a way to hide out from the police.
Amy was suffering from debilitating depression, until God healed her and helped her reshape her life into something amazing. In DON’T GIVE UP she tells the story of her meeting with Jesus and how it opened her eyes to the gifts around her.
Picking up some time after the events in the first movie, Sean Lau is now the Commissioner of Police after the successful rescue operation. However, things turn bad when his wife and daughter are kidnapped. Sean has to seek help from former rival and retired DCP, Waise Lee, to return to his job to help save Sean`s wife and child.
A cop, investigating the mysterious death of a filmstar, meets a sex-worker, while he faces some personal problems psychologically. The mystery connects these people in a way, that ultimately changes their lives.
“In the Shadows” slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.