A young man in a tricky situation follows the advice of his unconventional best friend and uses social media to create a fake boyfriend to keep his awful ex-lover out of his life. But everything backfires when he meets the real love of his life, and breaking up with his fake boyfriend proves hard to do.
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Trevor is a busboy who is so terrified of women that he takes in a young man addicted to heroin and then uses the drug to manipulate, coerce, and terrorize him into becoming “Dorothy”, his twisted concept of the “ideal girlfriend.”
This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities (“Alice”), possessed communication devices (“The Radio”), vampires and serial killers in lust (“Call Girl”), mad inventors (“The Professor’s Wife”), and hauntings from beyond the grave (“Haunted Dog”).
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings – such as an attractive bandmate and a very determined suitor.
The only male child in the family that sired six daughters, Prem has empathy towards the fair sex and decides to assist males to woo women so much so that he becomes popular as the ‘Love Guru’. Amongst the men he assists are Bhaskar Chaudhry and Neil Bakshi. Klutz-like Bhaskar has fallen head over heels with his boss, a model and heiress, Priya Jaisingh. A disbelieving Prem refuses to assist him, but subsequently relents. Bhaskar uses his own charm to woo Priya successfully, and is introduced to her dad, Raj. Prem himself falls in love with a widowed single mother, Naina Shahani, a Journalist. Both men are satisfied with her respective lives not knowing that a scandalous secret will surface in the media – changing their lives forever.
King Louis XI is a wise and old king and Frollo is the Chief Justice. Frollo gazes on the gypsy girl, Esmeralda, in the church during Fool’s Day and sends Quasimodo to catch her. Quasimodo, with the girl, is captured by Phoebus, Captain of the Guards, who frees the girl. The courts sentence Quasimodo to be flogged, and the only one who will give him water while he is tied in the square is Esmeralda. Later, at a party of nobles, Esmeralda again meets both Frollo, who is bewitched by her, and Phoebus. When Phoebus is stabbed to death, Esmeralda is accused of the murder, convicted by the court and sentenced to hang. Clopin, King of the Beggars; Gringoire, Esmeralda’s husband; and Quasimodo, the bellringer, all try different ways to save her from the gallows.
Freddy and Marvin have their sights set on a future filled with “monies and honeys”, believing that a life of crime and debauchery will get them there. Unfortunately, living a life of crime comes with consequences. When a series of straightforward jobs are botched, they cross paths with their most intimidating enemy yet, The Upholsterer. The ensuing chaos caused by her two henchmen Semo and Royon their hunt to find the boys forces them to reconsider their careers as criminals.
Exclamation Mark Question Point is the debut special from Andy Peters. More bootleg than traditional special, Andy recorded only one show, one night at The Virgil in Los Angeles. The special features a bouncy mix of Andy’s dive-in-head-first approach to comedy. With The Virgil’s intimate space as a backdrop, Andy litters the show with playful self-deprecating bits, a healthy dose of “screaming at strangers” and a nonstop stream of riffs.
Shelley is living a carefree life until a rival gets her tossed out of the Playboy Mansion. With nowhere to go, fate delivers her to the sorority girls from Zeta Alpha Zeta. Unless they can sign a new pledge class, the seven socially clueless women will lose their house to the scheming girls of Phi Iota Mu. In order to accomplish their goal, they need Shelley to teach them the ways of makeup and men; at the same time, Shelley needs some of what the Zetas have – a sense of individuality. The combination leads all the girls to learn how to stop pretending and start being themselves.