From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.
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When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
An incident brings a mid-aged Taiwanese woman and a young Filipino guy together. Although they can barely communicate with each other in language, she takes care of him out of instinct before her self-consciousness gets in the way to define what that ambiguous instinct is.
Why do 11,000 people die in America each year at the hands of gun violence? Talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, Bowling for Columbine is a journey through America, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Comedy about Frank, a hermit with Tourette Syndrome who is thrust into the harsh realities of the world when his caregiver dies. After recognizing that Frank is despondent, the caregiver’s teenage daughter, Laura, drags a reluctant Frank along on a life-changing road trip with Laura and her friends. – Garrett M. Brown, Rachel DiPillo, Mary Kate Wiles
One wild night, a deeply repressed man, the twink who gives him a happy ending, and all the lives they ruin along the way.
A young man recruits a film student to help him prove the existence of an urban legend.
An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver “Daddy” Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks’ mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.
Marc, a successful, ambitious man, is diagnosed with terminal cancer, and is given a few months to live. Unable to accept death, he decides to cryogenically freeze himself. The love of his life is devastated. Seventy years later, Marc becomes the first cryogenic resuscitated person in history. But this doesn’t happen in the idealized way he dreamt of.
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A horror feature film about 4 girls who move into their first off-campus house only to find that the owner is a soul-eater.
