A man’s wife starts having an affair with her brother-in-law, who is temporarily staying at their apartment.
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A young girl named Juno gets herself pregnant and tries to stand on her own, but soon learns a few lessons about being grown up.
Michelle and Allen, who have reached the point in their relationship where they are considering next steps, decide to invite their parents to finally meet and to offer some understanding of why marriage works. Except the parents already know each other quite well, which leads to some very distinct opinions about the value of marriage.
Bus Riley returns to his small town after time in the army. On his return, his ex-girlfriend wants to resume their relationship. The only problem is she has married in the mean time. Searching for fulfilment in his life, Bus decides to get a job with his gay friend who is a mortician. When the mortician makes a pass at him, Bus quickly gets out.
Văn comes back to Saigon from the US with his boyfriend Ian to visit his mother. Being the male heir of the family, everyone expects him to take a wife soon. And to top it all, his grandmother, who has Alzheimer, mistakes Ian for her grandson.
After a one-night stand with her coach, a pressured swimming phenom finds the lives of herself and her loved ones in danger.
Two strangers meet on a journey from Ankara to Izmir. Although having a rough start, their relationship takes a different path when they realize they have to confront themselves and would like to clean the slate as they get to know each other.
Drowning in debt, child support and bills all while white knuckling it through sobriety, Francis is coming undone. When his roommate, Shelly, goes missing, Francis is thrown headlong into her private world; a slip stream of money, violence and terrifying allegiances. As secrets are exposed and tensions mount, a search for Shelly devolves into striving for meaning in the face of oblivion.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
A houseguest at an upper-class gathering, wealthy Jew Ferdinand de Levis, is robbed of £1,000 with evidence pointing towards the guilt of another guest, Captain Dancy. Instead of supporting De Levis, the host attempts to hush the matter up and when this fails, he sides with Dancy and subtly tries to destroy de Levis’ reputation. When Dancy is later exposed, and commits suicide, de Levis is blamed for his demise.
