Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
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The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Nowhere to run…Nowhere to hide. After two teen girls cruelly impersonate her online in a reverse cyber bullying plot, Ashley s reputation is ruined. She and her mother, Julie (a high school teacher), are ostracized, forcing them to flee an escalating threat to their lives. Starting over in a new town and school, romantic interests and the poignant lessons from Kevin, an eccentric history teacher, draw them out of seclusion. However, when the past catches up with Ashley, she draws on what she s learned from Kevin s history lessons, giving her strength to stand tall rather than giving in to the bullies that torment her. With the support of her mother and new found friends, Ashley confronts her painful past, using the very tools of social media and technology that originally hurt her to expose lies and spread the truth.
Traveling forward in time isn’t all it’s cracked up to be, as Sean Graves learns the hard way. He’s supposed to spy on his future self to determine if he should pursue a new romantic love interest. Even though he’s warned to not interfere, Sean decides he has to investigate for himself the tension between the man who he is now and who he will become. Even more dauntingly, once Sean is sent back to the past, “Future Sean” has to deal with the consequences of all the versions of his multiple selves’ actions.
After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.
A bored wife leaves her husband for an unemployed, petty criminal.
Bilal Irving, a professional basketball player returns to his small, Northern Ontario town of Dumont. He re-connects with his former coach, and conflict ensues as they both struggle to put their egos and complicated pasts aside to mentor the town’s only basketball team.
Tong and his group of friends are in love with the same girl, Lin. Tong is forced to be supervised by another student due to his bad behavior. And his school life changes learning, playing and finding the first love.
A taxi driver is found dead, and Hyun-woo, the only witness, charged with a murder and serves 10 years in prison. While offering pro bono services, a lawyer Junyoung meets Hyun-woo, and they begin their journey to prove his innocence.
This Mahogany film follows a woman who returns home for her family’s Christmas Carnival, unexpectedly meeting a photo journalist.
Jailed for her husband’s crime, a woman discovers that her only way out is to solve riddles from her mysterious past.
The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
