A new music teacher in a 1955 West Texas home for wayward boys brings new vision and hope for many of the interned boys.

When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego — Dorothy Michaels — in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.

Pride & Prejudice: A Latter-Day Comedy is a 2003 independent film adaptation/updating of Jane Austen’s novel, set in modern-day Provo, Utah, at Brigham Young University. The characters are Latter-day Saints (LDS).

A group of New Yorkers caught up in their milieu converge at an underground salon infamous for its blend of art, music, politics, and carnality. The characters converge in a weekly Brooklyn social/artistic/sexual salon “Shortbus”, loosely inspired by various underground NYC gatherings that took place in the early 2000’s. Here, gay couple Jamie (P J DeBoy) and James (Paul Dawson) meet a young ex-model and aspiring singer Ceth (Jay Brannan).

A Japanese-American fisherman may have killed his neighbor Carl at sea. In the 1950s, race figures in the trial. So does reporter Ishmael.

After winning the lottery, François goes to a bar in Pigalle and offers one hundred thousand Euros per month to a prostitute named Daniela to live with him as his wife until his money runs out.

In 1919, Mathilde was 19 years old. Two years earlier, her fiancé Manech left for the front at the Somme. Like millions of others he was “killed on the field of battle.” It’s written in black and white on the official notice. But Mathilde refuses to believe it. If Manech had died, she would know. She hangs on to her intuition as tightly as she would onto the last thread of hope linking her to her lover. A former sergeant tells her in vain that Manech died in the no man’s land of a trench named Bingo Crepescule, in the company of four other men condemned to die for self-inflicted wounds. Her path ahead is full of obstacles but Mathilde is not frightened. Anything is possible to someone who is willing to challenge fate…

“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

It has been five years since Laura and Carmilla vanquished the apocalypse and Carmilla became a bonafide mortal human. They have settled in to a cozy apartment in downtown Toronto, Laura continues to hone her journalism skills while Carmilla adjusts to a non-vampire lifestyle. Their domestic bliss is suddenly ruptured when Carmilla begins to show signs of “re-vamping” – from a fondness for bloody treats to accidental biting – while Laura has started having bizarre, ghostly dreams. The couple must now enlist their old friends from Silas University to uncover the unknown supernatural threat and save humanity – including Carmilla’s.

Gwendolyn Shepherd is a normal 16-year-old, but her family holds a secret: A time-travel gene is expressed in the clan inherited, but not every member of the family is blessed with. Everyone is certain that Gwen’s cousin Charlotte has the gene. However, someday Gwendolyn suddenly finds herself in London at the end of the 19th century and realizes that it her, who was born a time traveler. While she is not very enthusiastic about it she will do everything possible to solve the ancient mysteries of the red ruby.

Matt’s passion transforms his bread from bland to brilliant. But when his bread loses its magic, the island locals panic and turn to Annie – Matt’s childhood friend and true love – for help.

A budding, forbidden romance lays bare the tensions between two black communities, both descended from slaves but of disparate opportunity—the light-skinned, property-owning Creoles and the darker-skinned, more disenfranchised families of the area.