A hopeless romantic misses all of the signs of true love when she puts her trust in a bouquet tossed at a wedding.
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The hilarity begins when professor Sherman Klump finds romance with fellow DNA specialist, Denise Gaines, and discovers a brilliant formula that reverses aging. But Sherman’s thin and obnoxious alter ego, Buddy Love, wants out…and a big piece of the action. And when Buddy gets loose, things get seriously nutty.
Meet best friends Michael, Albert, Stanley and Sefa; the ladies’ man, the good boy, the weird one and the party boy. They’re staring down the barrel of their thirtieth birthdays, but still act as if they’re sixteen; they get drunk, they chase the wrong women and they have a remarkable record of misbehaving and causing chaos at every wedding they attend. But now Michael’s younger brother Sione is getting married, and everything is about to change. Sione is their boy, the kid they used to look after, who grew up while they were still partying. And to ensure his big day isn’t spoiled by his boys and their idiot antics, Sione has issued an ultimatum; the guys all have to bring dates to the wedding. And not just any dates; real girlfriends, someone they’ve made a commitment to. They have one month. So just how hard can it be to get a date for your best boy’s wedding?
The Sorcerer and the White Snake is an ancient Chinese fable about a woman demon who falls in love with a mortal is brought to life through the latest advances in CGI and action techniques.
Centers around the lives of Victoria, Zenobia, Clevon, and Phil — all friends approaching the age of 35 and struggling to build the families they’ve always dreamed of. While Zenobia (Nicole Ari Parker) is still looking for a man, Victoria (Tamala Jones) is married to a man who doesn’t want children. Clevon (Kevin Hart), meanwhile, is too geeky to get a woman, and Phil (Keith Robinson) is already married with children, but his wife is not very interested in being a mother. All four of them try to rectify their romantic lives and futures while their biological clocks tick away.
Mia (Ruth Vega Fernandez) and Frida (Liv Mjönes), both in their thirties, meet each other for the first time at their parents’ engagement party. Mia’s father, Lasse (Krister Henriksson), is about to get married to Frida’s mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse’s daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.
Spaces and Reservations is an intimate and unsparingly realistic relationship drama that tells the story of a young couple being torn apart by malaise and infidelity, and the way the trauma of their breakup brings them back together. Jamie and Kacie have been dating for four years, and are separately beginning to feel the affects of malaise and disconnect. As they drift apart from one another and struggle to bridge the gaps growing between them, Jamie begins to develop feelings for another woman. After precariously flirting with infidelity, Jamie abandons this new pursuit and attempts to salvage his relationship with Kacie, only to discover that she too has fallen for someone else.
Rushon is sexually pent-up and ready to take thing things to the next level with his girlfriend, Nikki. But when he calls for a date, she asks to make it a double — bringing along her brash friend Lysterine, whom Rushon sets up with his lewd buddy, Bunz. Things go better than expected. As the evening transitions from the restaurant to the bedroom, the two men go on a madcap search for what will surely make the night complete: condoms.
When the pets accidentally get separated from their vacationing owners, Chance, Shadow, and Sassy navigate the mean streets of San Francisco, trying to find their home across the Golden Gate Bridge. But the road is blocked by a series of hazards, both man and beast.
Jack is a widowed “end-of-the-roader” struggling with his continued depression as he falls for Ruby, a passionate environmental engineering grad student who is embroiled in a poisonous waste controversy that threatens to shut down the biggest industry in her state.
Lovestruck: The Musical: Tells the story of Harper (Jane Seymour), one of the best dancers to hit Broadway. But an injury caused her to leave the spotlight, become a choreographer, and raise her daughter, Mirabella (Sara Paxton). When Mirabella, the star of Harper’s next big production, decides to quit the show to get married, her mother is determined to put a stop to the wedding and show Mirabella that she cannot give up her career for love, especially to marry playboy Marco (Alexander DiPersia).
