In the early 19th century, Dr. Frankenstein (Patrick Bergin, Sleeping with the Enemy) discovers the secret of life – how to create a perfect man – powerful, intelligent and immune to disease. But something goes wrong in the laboratory and the doctor’s hideous creation (Randy Quaid, National Lampoon’s Vacation) disappears into the night. At first, Frankenstein hoped that the horrible monster would perish in the wilderness, but now he senses that it’s alive and sets out for him. Dr. Frankenstein tracks the creature to the Arctic, where the two must battle to decide who will become the master of the other’s life…or death. “Nobody’s ever done a Frankenstein like this one and nobody’s ever done a better one” (Houston Chronicle).

Filmed entirely on location in East Hampton, Long Island, “Last Summer in the Hamptons” concerns a large theatrical family spending the last weekend of their summer together at the decades-old family retreat which economic circumstances have forced them to put on the market. Victoria Foyt plays a young Hollywood actress whose visit wreaks havoc on the stellar group of family and friends – led by matriarch Viveca Lindfors and made up of an extraordinary mix of prominent New York actors, directors, and playwrights. In the course of a very unusual weekend, comic as well as serious situations arise, and the family’s secrets – of which there are many – begin to unravel.

Everyone thinks of Santa Claus as a magical figure without flaws, but the men who keep his legend alive, real-bearded professional Santas, are nothing like the jolly ol’ Saint Nick we’ve all grown up knowing. In reality, the mall Santa in your cherished children’s photo has problems just like the rest of us. Even the jolliest of men fall victim to divorce, job loss, insecurity and even the occasional hangover. ‘I Am Santa Claus’ is a documentary that follows the lives of five real-bearded professional Santa Clauses as they anticipate and prepare the coming holiday season while showing them for who they actually are flawed, flesh and blood men who feel an overbearing responsibility to protect the integrity of the spotless, untarnished reputation of the “Red Suit.”

After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.

Film cutter Katie Griffin is hopelessly in love with writer Richard Mannhart, and starts an affair with him. When Mannhart’s wife is killed in a road accident, Katie tells the police she thinks he’s tampered with his wife’s car. Being questioned Mannhart declares he’s innocent. Not only that, he also denies any amorous involvement with Griffin. As it is her word against his, both parties are pressed to back up their stories with hard evidence. Finally Katie comes up with some. End of story?

Underwater deep-sea miners encounter a Soviet wreck and bring back a dangerous cargo to their base on the ocean floor with horrifying results. The crew of the mining base must fight to survive against a genetic mutation that hunts them down one by one.

Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?

Juliet, a beautiful doctor, has found the perfect New York apartment to start a new life after separating from her husband. It’s got spacious rooms, a spectacular view, and a handy, handsome landlord. But there are secrets behind every wall and terror in every room as Juliet gets the unnerving feeling that she is not alone.

Celebrated European actor Sophie Bernard is in Montreal shooting a movie, and she’s taking the opportunity to visit her son Thomas in the hope of bridging the rift that’s grown between them. But Thomas has his own agenda for their time together; he intends to finally get some answers as to the identity of his father. Meanwhile, at Ville-Marie Hospital, paramedic Pierre struggles with PTSD, and though he has support in Marie, a nurse who keeps the overflowing emergency room running, it’s uncertain whether he’ll remain able to cope with the high intensity of his work. Each of these four characters is dealing with emotional damage — and on one dark Montreal night, their lives will all intersect in a fateful occurrence at Ville-Marie.

In the near future, a French submarine finds itself in a crisis situation.

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