Heather, an outcast teenage goalie in a small northern town, falls for newcomer Jonny, an alluring but tormented figure skater. As their relationship deepens, Heather’s growing desires clash with her darkest secret, forcing her to control the animal within.
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A teacher, haunted by the death of her husband, returns to her childhood home to care for her ill mother. But as her mother’s dementia deepens, dark secrets tumble out, including a family secret that will turn her life upside-down forever.
When Environmental Protection Agency inspector Steve Malone travels to a remote military base in order to check for toxic materials, he brings his family along for the ride. After arriving at the base, his teenage daughter Marti befriends Jean Platt, daughter of the base’s commander, General Platt. When people at the base begin acting strangely, Marti becomes convinced that they are slowly being replaced by plant-like aliens.
A merciless hit man rescues a prostitute from a violent incident in a Philippine slum before the two take flight. Though Khavn, a standard-bearer of the digital age in the Philippines, has already established himself as a director of countless films, he is also an accomplished poet and musician. The bewildering visuals and punk-opera soundtrack expertly convey a world that extends far beyond the dialogue. As the story unfolds, a poetic sentiment wafts out of the chaos, signaling a collision of the director’s many talents.
Sophie is a young woman who finds herself trapped in a supernatural nightmare while seeking a romantic retreat in an isolated chalet with her fiancee Cal.
Combining 1980’s horror and 1950’s sci-fi, it’s the story of an idealist medical student with a serious Elvis obsession, who is determined to perfect his rat-to-rat brain transfer to “help mankind and change the face of modern science
A murderous shapeshifter sets out on a blood-soaked mission to make things right with the woman he loves.
Welcome to the Grindhouse experience like it was meant to be, killer story lines and themes zig zig across the screen in Grind-O-Vision, a nonstop thrill ride of babes, guns, muscle cars, motorcycle shoot outs, rendezvous with the devil and much more. From “Manhunt” to “Stripper with a Shotgun”, Grindhouse Nightmares is cinema exploitation at its best.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
