Over the course of a single hectic day in New York City, three people from Feña’s past are thrust back into his life: his foreign father, his straight ex-boyfriend, and his 13-year old half-sister. Having lost touch since transitioning from female to male, Feña must navigate the new dynamics of these old relationships while tackling the day-to-day challenges that come with living a life in-between.
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It’s been a year since the Dogman terrorized this Midwestern community and nearly killed Hank Purvis. But now, things seem to have settled down. Everyone has gotten back to their routine. Hank still enjoys the outdoors and loves to hunt. He and his wife, Dorothy, continue to live on their family farm in the rural Midwest. The picturesque autumn woodlands are a wonderful place to be. But things are not well. Unseen in the nearby forest, are a litter of grown Dogman pups, embarking on their terrifying destiny, and standing over seven feet tall. They are a bad batch. They have to be stopped.
Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna’s confessions do not absolve anyone, and have the power to inflict more pain.
A young cavalry doctor treats very sick Indians against orders, whom are forced to stay on unhealthy land, which could lead to a war.
A widow and her housekeeper go into business together but almost lose their daughters.
Concert pianist Henry Orient (Peter Sellers) is trying to have an affair with a married woman, Stella Dunnworthy (Paula Prentiss), while two teenage private-school girls, Valerie Boyd (Tippy Walker) and Marian Gilbert (Merrie Spaeth), stalk him and write their fantasies about him in a diary. Orient’s paranoia leads him to believe that the two girls, who seem to pop up everywhere he goes, are spies sent by the husband of his would-be mistress. When Val’s mother, Isabel Boyd (Angela Lansbury), finds their diary, she suspects that Henry has acted inappropriately with her daughter. She contacts Orient and they end up having an affair. Val finds out about it, as does her dad.
Filling the giant screen with stunning time-lapse vistas of Antarctica, and detailing year-round life at McMurdo and Scott Base, Anthony Powell’s documentary is a potent hymn to the icy continent and the heavens above.
After a deadly earthquake turns Seoul into a lawless badland, a fearless huntsman springs into action to rescue a teenager abducted by a mad doctor.
Ivanhoe Martin arrives in Kingston, Jamaica, looking for work and, after some initial struggles, lands a recording contract as a reggae singer. He records his first song, “The Harder They Come,” but after a bitter dispute with a manipulative producer named Hilton, soon finds himself resorting to petty crime in order to pay the bills. He deals marijuana, kills some abusive cops and earns local folk hero status. Meanwhile, his record is topping the charts.
Samantha Rose is a coming of age story shot on location in the Pacific Northwest. Centering non-binary actor, Sam Rose, the film is a tale of a young woman battling family codependence and aimlessness alike. Sam returns to her hometown in northern Oregon and is reunited with a childhood friend and his misfit commune of friends where they work the fall harvest on the surrounding vineyards. This ragtag family of runaways are fearless and free, leading Sam on a journey of discovery and healing. There are motorcycle rides and homemade wine, midnight swims and bonfires, horses, camping, and a love story that unfolds as Sam comes to see her life for what it really is: her own.
A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up. but never arrives) and a restless dog who doesn’t understand that his master has abandoned him.
Loosely inspired by the director’s own memory of a girl’s disappearance from her village, the film follows Arlene (Antonia Campbell-Hughes), a young factory worker living alone in a rural Irish community.
