A woman asks her best friend to date her playboy ex-boyfriend to save her current relationship.
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Agents from diverse Spanish local police forces are called to form a special team.
Ashens is going on a quest to find the legendary, and elusive electronic tat known as the Game Child.
It’s just weeks before Christmas when Ellie (Bethany Joy Lenz) gets a call to return home to help her father (John Schneider) on the family’s poinsettia farm. The family business is on the line to deliver tens of thousands of plants for the town’s annual parade. The problem is — the poinsettias have yet to turn red! As Ellie searches for the solution, she is reminded of where her heart truly lies as she falls in love with both her roots and a local botanist (Marcus Rosner).
Zhi, a rookie race car driver, gets the opportunity to compete against the reigning champion of the rally car circuit. With help from a former driver-turned-mechanic, Zhi must overcome treacherous terrain, rival racers, and unexpected obstacles to prove he has what it takes to be the next great racer.
The year is 1991, and Spud Milton’s long walk to manhood is still creeping along at an unnervingly slow pace. Approaching the ripe old age of fifteen and still no signs of the much anticipated ball-drop, Spud is coming to terms with the fact that he may well be a freak of nature. With a mother hell-bent on emigrating, a father making a killing out of selling homemade moonshine, and a demented grandmother called Wombat, the new year seems to offer little except extreme embarrassment and more mortifying Milton madness. But Spud is returning to a boarding school where he is no longer the youngest or the smallest. His dormitory mates, known as the Crazy Eight, have an unusual new member and his house has a new clutch of first years (the Normal Seven). If Spud thinks his second year will be a breeze, however, he is seriously mistaken.
A legendary late-night talk show host’s world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline.
Revolves around a young couple and their friends struggling with adulthood and issues of relationships and commitment. Based on the 2001 Italian film L’ultimo bacio, directed by Gabriele Muccino.
A proud son hires a documentary filmmaker to immortalise his father’s legacy. Tensions flare up between filmmaker and subject-and a rookie cameraman is caught in the cross fire-as the three travel across France unearthing family secrets.