A former slave who arrives in Yellowstone City, Montana, a desolate former boomtown now on the decline, looking for a place to call home. On that same day, a local prospector discovers gold – and is murdered.
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Renegade Confederate soldiers take over a frontier town, but after they molest a young black woman, a group of ex-slaves arm themselves and counter-attack.
A man is framed and sent to the toughest prison in the territory.
Trinity series star Bud Spencer returns to the Wild West in director Michele Lupo’s comic tale of an outlaw drifter, Buddy, who is mistaken for a doctor after his Indian companion inadvertently steals a bag of surgical instruments. When a band of murderous outlaws attempts to overrun the small town Buddy is passing through, the presumed medico shows that his true talent is cracking skulls. Music is composed by Ennio Morricone.
A mysterious master criminal known as The Voice plots with his gang to sabotage the Milesburg Oil Company, but the rightful heir has a secret army of her own to protect her rights.
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis’ Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael.
Earlene arrives at Venice Beach after running away from an estranged lover, only to become fast friends with an Australian skater who is also lost. Together, they set out into the desert to find themselves.
It’s 1893 and gold is being smuggled out of the country. Instead of stealing gold bars, the outlaws are stealing high grade ore, having it smelted, and then having it plated to look like lead. The Government sends agents Bret and Larry who arrive in Cripple Creek posing as Texas gunfighters. Bret finds the smelting operation and Larry learns of the payoff. But the crooked town Marshal is suspicious of the two men and the reply of his inquiry to Texas exposes them putting their lives in danger.
One of Cannon Films’ two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini’s Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom’s maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O’Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi’s fine musical score, but the film is otherwise anemic.
A prospector is looking for a lost gold mine and finds aid in his search through the efforts of his friend, Stormcloud, whom he has aided in the past. Stormcloud gives the prospector’s son a map leading to the mine in repayment for his past kindness. When a claim jumper learns about the map, he targets the prospector and his son in order to get the treasure.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades’ demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
An undercover agent takes the job of sheriff in order to find the men responsible for a series of stagecoach robberies.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners — who are freed by the blast — Miranda becomes a revolutionary hero against his will.