A former police officer gets hired by a gangster to trace missing call girls and their abductor.
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After the collapse of the Soviet Union, Ukraine’s social and political institutions faced massive change, including an increasingly corrupt government and crippled infrastructure. A number of the nation’s youth wound up homeless and addicted to a lethal cocktail of injected cold medicine and alcohol. In the early 2000s a pastor from Mariupol named Gennadiy Mokhnenko took up the fight against child homelessness by forcibly abducting street kids and bringing them to his Pilgrim Republic rehabilitation center—the largest organization of its kind in the former Soviet Union. Gennadiy’s ongoing efforts and unabashedly tough love approach to his city’s problems has made him a folk hero for some, and a lawless vigilante to others. Despite criticism, Gennadiy is determined to continue his work.
After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.
Evelyn, an ex-burlesque queen, bewitches single dad Al and his teenage son Fin with her zest for life. When father and son discover they are competing for the affections of the same woman, it reopens old wounds over the death of Fin’s mother.
“Hair” is a 1979 musical war comedy-drama film adaptation of the 1968 Broadway musical “Hair: An American Tribal Love-Rock Musical” about a Vietnam War draftee, Claude, who meets and befriends a tribe of long-haired hippies on his way to the army induction center.
Claude heads to New York upon receiving his draft notice, leaving the family ranch in Oklahoma. He arrives in New York where he is rapidly indoctrinated into the youth subculture before reporting in for boot camp.
The Century club VR club virtual reality in Los Angeles. When there is a brutal murder, a beautiful female-investigator begins the investigation. However, she soon realizes that the case might interfere with her sexual fantasies.
Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarthy, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarthy while tracking down evidence that will prove his innocence.
Nick Gunar is a burnt-out, jaded and hard-up former mercenary who is having a difficult time adjusting to civilian life. At the end of his rope, he is hired by the Nitro Mine Corporation to strong-arm the natives of a South China Sea island into giving up their rights to its valuable mineral resources. Nick loathes the thought of another mission, but this seemingly easy job will earn him enough money to get back with his estranged family. He recruits some of his former mercenary buddies to help him with the job. The island people refuse to give up their land and Nick decides to help them fight the greedy corporation that hired him. As greed and treachery begin to unravel, Nick’s band of mercenaries choose sides.
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Tell Gordon Hello was spawned off of Morgan Rodner’s love of two things: film and comics. During a writer’s block that all artists come across at some point in their lifetime, Rodner met Paul Louis Harrell while directing another short film. Rodner soon discovered that Harrell had a pastime of playing the Joker on Hollywood Blvd for tips which was the catalyst that put the wheels into motion for Tell Gordon Hello. – Written by Morgan Rodner
