Muhammad: The Messenger of God is an 2015 Iranian film directed by Majid Majidi. The story revolves around the childhood of the Islamic prophet Muhammad. The film marks Iran’s biggest-budget production to date and is the first part of the planned trilogy on the life of the Prophet. Barring a few scenes filmed in South Africa, the majority of the filming was done at a colossal set created in the city of Qom near Tehran. The film was officially announced in October 2011 and its filming was completed by 2013. The cinematography is done by Vittorio Storaro and film score is composed by A. R. Rahman. The film was selected for the Oscar for Best Foreign Language Film at the 88th Oscar ceremony in 2016, but was excluded from the short list.
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An art historian and a soldier team up to investigate the murder of the only person who knew the whereabouts of a sacred statue of the Virgin Mary, missing since 1832.
A psychiatrist is drawn into a complex mind game when he questions a disturbed patient about the disappearance of a colleague.
The night before his grandson, Tommy Grayson, a mechanic at the Midland Aircraft Corporation, is to marry Gail, a former showgirl, Major Matt Grayson, a war veteran and watchman at the plant, catches two men breaking into the machine shop. The men run, but the major shoots one of them…..
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film ‘The Killing Fields’. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.
When the man who seduced the famous painter Otoko as a teenager–and then wrote a bestselling novel about it–reappears in her life, her pupil–and lesbian lover–hatches a plot to destroy the man and his family.
Frank, a man without a criminal record, attacks a money transporter and then turns himself in to the police. His behavior is a mystery. In prison he meets the unscrupulous and suspicious Arab Fuad, who is protected by his clan. To get closer to Fuad, Frank intervenes in the drug business within the walls and gets caught between the two rival groups of German and Arab inmates. It is only the prison guard Susanna with whom Frank will be able to build a relationship of trust, not knowing that she is part of Fuad’s business and has a sexual relationship with him. However, they come emotionally close. What only Frank knows is that his wife and his daughter died in a car accident. Fuad was the hit-and-run driver that remained unpunished. Frank seeks revenge.
A dramatization of the life of Albert Speer, Hitler’s young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer’s own monograph of the same title.
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