The story of a young woman clinging on to her dream to become a beauty contest queen in a Mexico dominated by organized crime.

A young artist tries to win the heart of his muse, while her mother hatches a scheme to end his quest for true love.

Walter is told by his boss, Sara, to deliver an urgent letter to Henri de Corinthe. On the way he finds a beautiful woman he had been eying in a nightclub, lying in the road, bound up. He takes her to a villa to get a doctor, and ends up being locked in a bedroom with her. While she is making love to him, he has visions of surrealistic images from René Magritte’s paintings. In the morning, the girl, Marie-Ange, has vanished, the villa looks derelict, and his neck is bleeding. Was it all just a nightmare?

An ominous dream convinces 77-year-old Dayanand Kumar that his end could be near. He takes the news to his son Rajiv, knowing he wants to breathe his last in the holy city of Varanasi and end the cycle of rebirth, by attaining salvation. Being the dutiful son he is, Rajiv is left with no choice but to drop everything and make the journey with his stubborn father. Daya and Rajiv check into Mukti Bhawan (Hotel Salvation) in Varanasi, a guesthouse devoted to people who want to die there. But as the days go by, Rajiv struggles to juggle his responsibilities back home, while Daya starts to bloom in the hotel. Rajiv gives his father a shot at salvation but as family bonds are tested, he finds himself torn, and not knowing what he must do to keep his life together.

A guy tries to find outside what he is unable to find inside.

Louise is dissatisfied with her mundane life in a bleak Parisian new-town. She rents a pied-à-terre in the city so she can experience independence.

Liam is on the brink of divorce when he learns his wife Mia is diagnosed with cancer. She proposes a road trip to mend their relationship and her health.

In this tense thriller, Ma Shan (Wen Jiang) is a Chinese police detective who awakes one morning after a night of heavy drinking at his sister’s wedding reception to discover that his gun has been stolen. Since only police officers are allowed to carry firearms, Ma Shan is alarmed about the deadly possibilities of the theft, and he sets out to find his weapon; however, the memories of Ma Shan’s friends are as hazy as his own regarding the wedding, and no one can tell who drove him home. The situation comes to a head when Ma Shan’s former girlfriend arrives in town for a visit and is soon found shot dead with the bullets matching those used in his gun.

Makoto Tanaka (Tadanobu Asano) is 40-years-old and has remarried. His wife is Nanae (Rena Tanaka) and they care for 2 daughters from Nanae’s prior marriage. Makoto tries to have an ordinary family. Nanae then becomes pregnant. Afterwards, things begin to change among the family members.

Dean and Sal are the portrait of the Beat Generation. Their search for “It” results in a fast paced, energetic roller coaster ride with highs and lows throughout the U.S.

Four best friends search for a legendary jazz musician on Central Avenue, Los Angeles in 1959.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.