Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but that relationship creates scandalous situation and is likely to lead to monarchy crisis.
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Actor Stephen Tobolowsky has acted in over 200 TV shows and films over the past 40 years, possessing one of the most dazzlingly diverse filmographies on the planet. But even more compelling than the stories he’s been apart of onscreen are those he tells offscreen. In ‘The Primary Instinct,’ Stephen plays himself and uses the art of storytelling to take the audience through a riveting and moving journey about life, love, and Hollywood. Along the way, he just may answer one of the questions that’s dogged humanity since the beginning of time: Why do we tell stories in the first place?
When two corrupt police officers investigate the brutal murder of a young girl, tensions come to a head in their small, racially-segregated town.
Details the efforts of a pop-rock star (James Roberts / Rick Springfield) to win the love of a woman he meets in a car accident. None of the usual gambits work on this woman, who has never heard of him. Complications arise involving the ex-girlfriend Nicky, who is still in his band.
Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green, and Jule Styne, the film focuses on Ella Peterson, who works in the basement office of Susanswerphone, a telephone answering service. Peterson, based on Mary Printz, who worked at Green’s service, listens in on others’ lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer’s block and desperately needs a muse.
Single mother Ryan has just about given up on dating after her divorce, happily accepting her young son as the most important man in her life. That all changes when Ryan’s brother Owen, also feeling unlucky in love after a bad breakup, swaps his home in their small North Carolina town with New York City adman Sean.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach (Michael Douglas). After the initial eliminations, seventeen hopefuls remain, among them Cassie (Alyson Reed), who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he’s willing to let professionalism overcome his personal feelings about their past remains to be seen.As the film unfolds, the backstory of each of the dancers is revealed. Some are funny, some ironic, some heartbreaking. No matter what their background, however, they all have one thing in common – a passion for dance.
When Leslie gets fed up with her prudish roommate, Hannah, she challenges her to the bet of a lifetime: Hannah must sleep with ten guys while Leslie does the unthinkable and “re-virginizes”.
Wake in Fright is the story of John Grant, a bonded teacher who arrives in the rough outback mining town of Bundanyabba planning to stay overnight before catching the plane to Sydney, but as one night stretches into several he plunges headlong into his own destruction.
Starting in 1881 this film shows the personal battle between Lenin’s Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.
The deranged military and former CIA agent Dean Cage is in a rehab program, trying to forget the traumatic loss of his best friend Scott in Bosnia. When he dates with his girl-friend and Scott’s sister, Detective Amy Knight, in a dinning restaurant, he is mistakenly taken as being the CIA agent that is investigating the robbery of the military experiment EX by a man called Sullivan. He is injected with the drug and abducted by the thieves. Amy has six hours to find the also stolen antidote and save Dean’s life.
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn’t show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something…
