The documentary consists of tape of Don’s show (never been filmed before), interviews with Don’s contemporaries, (Steve Lawrence, Bob Newhart, Debbie Reynolds, etc.), established comedians (Billy Crystal, Rosanna Barr, Robin Williams, Chris Rock, etc.) and young comedians (Jeff Atoll, Jimmy Kimmel, Sarah Silverman, etc.).
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In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.
When Scott and Kate Johansen’s daughter gets into the college of her dreams it’s cause for celebration. That is, until Scott and Kate learn that the scholarship they were counting on didn’t come through, and they’re now on the hook for tuition they can’t begin to afford. With the help of their friend and neighbor Frank also in need of a major payday they decide to open an illegal casino in his suburban house, risking everything together on a Vegas-style bacchanal where money flows, inhibitions are checked at the door, and all bets are off.
Documentary about Don Letts who played a leading role in pop history. Letts injected Afro-Caribbean music into the early punk scene and shot over 300 music videos including for Public Image Ltd. and Bob Marley, but also for teen sensations Musical Youth’s reggae smash ‘Pass The Dutchie’. Besides his enduring relationship with The Clash, the constant factor in Letts’ eventful career as a DJ, manager, film director, musician and radio maker is that, from the 1970s on, he continued to draw attention to cultural issues, as he does today with his radio programme for BBC 6, Culture Clash Radio.
Alberto (Claudio Bisio), post office manager of a small town in Brianza, under pressure of his wife Sylvia (Angela Finocchiaro), is willing to do anything to get the transfer to Milan. Even pretending to be disabled to climb in the ranking. But the trick does not work and as punishment, he is transferred in a small town in Campania, which to an inhabitant of the north is equivalent to a nightmare …
In Here I Stand, drag queen and comedienne Miz Cracker discusses everything from sex and dating to quarantining, dieting, and getting older. This is a show for anyone who needs to laugh out loud – especially at themselves.
14-year-old Laura Dekker sets out on a two-year voyage in pursuit of her dream to become the youngest person ever to sail around the world alone.
Thirteen-year-old Mei is experiencing the awkwardness of being a teenager with a twist – when she gets too excited, she transforms into a giant red panda.
Failed musician Kyle Cassidy is in love with Nikki Duke, the charismatic wife of an abusive rock star who’s away on tour. After a wild evening at the Dukes’ Hollywood Hills mansion, Nikki passes out and bumps her head. Kyle, in a drug-fueled panic, calls 911. When two newly partnered paramedics arrive at the scene, they rouse Nikki, patch up Kyle, and then attempt to rob the pair – a plan that quickly goes awry, sending the group on a dark, hilarious adventure into the Los Angeles night.
The television movie is set in the city of Dimmsdale and centers on the series’ main protagonist Timmy Turner with his fairy godparents Cosmo and Wanda and his fairy godbrother Poof. In the movie, Timmy is now 23 years old but is still in fifth grade with his fairy-obsessed fifth grade teacher Mr. Crocker. Despite being grown up, Timmy finds a loophole in the fairy rulebook Da Rules: if he continues to act like a kid, he will still get to keep his fairies. However, the dilemma rises when Tootie, who was once a dorky girl when she was 10 years old, returns to Dimmsdale as an attractive woman. Timmy falls in love with her, a sign that he is growing up to an adult, which means he is closer to losing his fairies. Meanwhile, an oil business tycoon named Hugh J. Magnate, Jr., who teams up with Mr. Crocker, plans to use Timmy’s fairies’ magic in order to promote his oil business.
San Francisco has long enjoyed a reputation as the counterculture capital of America, attracting bohemians, mavericks, progressives and activists. With the onset of the digital gold rush, young members of the tech elite are flocking to the West Coast to make their fortunes, and this new wealth is forcing San Francisco to reinvent itself. But as tech innovations lead America into the golden age of digital supremacy, is it changing the heart and soul of their adopted city?
