The third movie of a four-part finale of Tamayura.

A young woman, recently released from a mental hospital, is coping with ongoing episodes of schizophrenia.

After escaping a cult suicide, a paraplegic hospital patient is tormented by malevolent spirits and cursed to kill whomever hears her voice, unless she offers up the soul of her innocent nephew in place of her own.

Prequel to the Henry James classic “Turn of the Screw” about the events leading up to the deaths of Peter Quint and Ms. Jessel, and the the slow corruption of the children in their care.

A finely tuned, emotionally raw portrait of a woman’s conflicted entry into adulthood, Once Upon a Time Veronica is a thoroughly modern anti–fairy tale. Director Marcelo Gomes shows a rare ability to get under the skin — and cut close to the bone — of his emotionally vulnerable but resilient main character. Anchored by a tour de force performance from the fearless Hermila Guedes, this sensual, psychologically complex character study charts the personal and professional growth of one young woman in Recife.

Set in Stalin-era Soviet Union, a disgraced MGB agent is dispatched to investigate a series of child murders — a case that begins to connect with the very top of party leadership.

A man who killed 13 years before goes out on the loose to kill his victims’ children.

A woman becomes very curious about one of her psychiatrist husband’s inmates, a man who was found guilty in the murder and disfigurement of his former wife.

A retired prostitute on the run, moves to a small town and starts a lingerie-making business (made from her signature adire material) which inevitably empowers the conservative women. Only to anger the self instilled leader, the deaconess and wife to the preacher of the town’s local church. She soon discovers the most unusual friendships and love in the unlikeliest of places. Her paradise is cut short by Captain, her former pimp whose money she stole to start a new life.

The life story of Elvis Presley as seen through the complicated relationship with his enigmatic manager, Colonel Tom Parker.

Depression-era bank robber John Dillinger’s charm and audacity endear him to much of America’s downtrodden public, but he’s also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.