In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind.

They’re fierce, they’re iconic, they’re back — and they’re totally lost. A boyband seeking a renaissance must navigate a world they barely understand.

An abandoned baby boy is rescued from floodwaters by Kantaben and Nattubhai, the kindly proprietors of a small orphanage. They name the baby Krishna, because the way he was found parallels the legend of how the god Lord Krishna came to live with his adoptive parents as a baby. Orphan Krishna lives happily in the orphanage with Kanta and Nattu and the other foundling children. But over the years, as one by one his other friends are adopted out to families but he remains, young Krishna comes to believe that he is unadoptable, unwanted, and will never find a family. In despair, all alone one night he goes to a temple and prays to Lord Krishna. This is the story of how Lord Krishna himself (in his childhood ‘butter thief’ avatar) comes to Earth and befriends the young orphan Krishna … and helps him to discover his family

German students compete to enter one of the country’s elite schools.

Two young men make a connection neither of them expects or knows how to navigate. Casey, a young man from the countryside running from a small-town scandal, finds himself down and out in the big smoke of Sydney. When he meets Tib, a young city lad, struggling with his own scars of isolation, there’s chemistry, not only sexually but also emotionally as both men find something they have been missing. Can they overcome their own insecurities and let the other in or are the walls they have built too strong to knock down?

Taking a message from Hiroshi’s father to heart, Torajiro attempts to give up his wandering ways.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

As the Swedish town of Kiruna sinks, Frigga finds herself torn between her family and her job as security chief at the world’s largest underground mine.

The relationship between two mismatched people who try to move past their baggage to make their love work.

A teenage girl makes a startling discovery about her connection to the Seawalkers, legendary beings who are half-human, half-sea creature.

Caroline, a French architect in Vilnius, Lithuania, on business, has to spend an extra night in the city due to a delayed work meeting. At the bar of her hotel she meets Jaakko, a Finnish DJ who is in Vilnius for a gig. Caroline lets him understand that she doesn’t speak English, and Jaakko doesn’t speak French. Although they lack a common language, they find themselves enjoying each other’s company…

It follows Dysha as she runs for her life and depends on a mysterious stranger to escape danger and pull off the biggest score of her life.