After sequestering herself to a small mountain town, an aging actress calls her estranged daughter and granddaughter home for reconciliation and one final celebration.
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Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and finally senator Madison starts a campaign to find the truth about the alleged connections with the Mob.
Carrie Watts begrudgingly lives with her busy, overprotective son, Ludie and pretentious daughter-in-law, Jessie Mae. No longer able to drive and forbidden to travel alone, she wishes for freedom from the confines of the house.
Four diverse gay men navigate art, sex and love in one sublime night.
When a handsome young Indian couple (Saif Ali Khan and Kareena Kapoor) moves into the suburbs to claim their stake in the American dream, they are shocked to discover that they’ve become enmeshed in a secretive terrorist plot. But as tensions escalate, the bride begins to wonder if her husband has told her everything he knows.
When Jack and Sally announce that they’re splitting up, this comes as a shock to their best friends Gabe and Judy. Maybe mostly because they also are drifting apart and are now being made aware of it. So while Jack and Sally try to go on and meet new people, the marriage of Gabe and Judy gets more and more strained, and they begin to find themselves being attracted to other people.
Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor’s guilt over those still left behind in Kabul as she desperately searches for love.
Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.
A father takes justice into his own hands when he thinks his son has been sexually assaulted. A suspected paedophile lies dead outside a block of high-rise council flats. Did he jump or was he pushed, roles are reversed as the hunter becomes the hunted.