Emmett enters into a nightmarish game of therapy with his wife Anya, who has inexplicably taken on the persona of his estranged and recently-deceased mother.
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An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven’s bordello. The bloodletting begins in James Eaves’ The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald’s homage to Bride of Frankenstein. The final short is Pat Higgins’ Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists.
Forced into a deadly cat-and-mouse game, a disgraced mixed martial arts fighter is hunted through the jungles of Southeast Asia.
The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.
A young couple looking to rekindle a damaged relationship retreat to the remote Scottish Highlands. They are haunted by their past, their surroundings and each other.
Inspired by true events of 2010 Polish Air Force Tu-154 crash in Smolensk, the film tells the partially fictional story of crash and various people affected by the tragedy. The protagonist is a journalist Nina, who refuses to accept the official version of the story and pursues her own independent investigation.
A modern supernatural horror film that explores the dark side of the human psyche, and the terror in facing up to one’s darkest fears. Set in London, England, the film begins with a group of theological students who decide to test their faith by proving the existence of Hell.
Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
When a blood sacrifice opens a portal to Hell, Ebee is returned to Earth where Lucy Furr, the new proprietor of her weed shop, has some sinister plans of her own.
