A pregnant woman, who is taking care of her son with development problems, is at her breaking point when a caregiver from the Philippines steps into her life. Diana suspects that she’s using voodoo against her after the quick improvements of her son.
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An innocent nightclub singer becomes mixed up in illegal drug dealings shortly after witnessing her husband’s death and the murder of a couple of narcotics agents.
Julia (Trish Everly, in her only film role), a young teacher for deaf children living in Savannah, Georgia. Julia has horrid memories of her childhood, which was scarred by her sadistic twin sister Mary (Allison Biggers). At the urging of her uncle, Father James, Julia visits Mary, suffering from a severe skin disease, in a mental institution. The meet does not go well, and Mary vows to make Julia “suffer as she had suffered”. As their mutual birthday approaches, several of Julia’s friends and neighbors begin to die gruesome deaths, some of which committed by a mysterious Rottweiler dog that has some sort of connection to Mary. But is Mary really the killer?
Marisol (Alejandra Herrera) is caught between her possessive and aggressive cousin, Mauro (Eduardo Mendizábal), and passionate but inert lover, Mundo (Noé Hernández). Violence is a constant presence in their rural Mexican town, with gangs and guerilla fighters a steady presence. When Mundo has to flee, their connection turns from physical to digital even when Marisol is held captive by her cousin. Their communication via text, voicemail, and video is sporadic and frustrating, but is nevertheless a source of comfort, and their longing remains intense despite the distance. When Mundo returns, the stakes for Marisol are even higher, and it’s no longer a question of whether things will come to a head, but how and when. Might their desire and desperation ultimately play to her advantage?
A woman with increasingly disturbing and violent dreams consults a famous sleep therapist known for his controversial treatments. Her experience plummets her into the dark, twisted depths of her subconscious, grasping for her sanity.
Link and his brother flee their abusive father and embark on a journey where Link discovers his sexuality and rediscovers his Mi’kmaw heritage.
Diggers is a coming-of-age story directed by Katherine Dieckmann. It portrays four working-class friends who grow up in The Hamptons, on the South Shore of Long Island, New York, as clam diggers in 1976. Their fathers were clam diggers as well as their grandfathers before them. They must cope with and learn to face the changing times in both their personal lives and their neighborhood.
In January 1943 the German army, afraid of an Allied invasion of the Balkans, launched a great offensive against Yugoslav Partisans in Western Bosnia. The only way out for the Partisan forces and thousands of refugees was the bridge on the river Neretva.
England has been overrun by a pandemic with no apparent cure. As the infection continues to spread, safety – for a lucky few – looms in the form of a damaged 747 set to seek solace abroad. It’s only once the plane is airborne that the survivors discover the infection made it onto the flight with them.
When a team of Shaolin-trained kung fu actors is about to get their break in Hollywood, a mysterious and sadistic Director forces them to run a gauntlet through Los Angeles. The Director films their every move as they prove their prowess by provoking a rogues’ gallery of underworld thugs and martial artists.
A biographical drama based on the life of fictional Haryana based wrestler & mixed martial arts specialist Sultan Ali Khan.
After returning home from an extended tour in Afghanistan, a decorated U.S. Army medic and single mother struggles to rebuild her relationship with her young son.