Visiting the hotel where his parents met during the Vietnam War, an engineer finds its twisting halls alive with restless memories of the past.
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A film about a trio of misfits whose irreverent, sexually charged dynamic evolves into a surprising love story as their spontaneous and flippant attitude towards the past or future backfires time and again, even as they inadvertently perform good deeds. When they make enemies with a gun-toting hairdresser, their journey becomes one of constant escape from the law, from society and from the hairdresser, all while the bonds of their outsider family strengthen.
Sakata protects a little boy while coping with rival gangs.
Convinced the tragic deaths of her loved ones were orchestrated by a famous novelist she worked for, Luciana turns to a journalist to expose her truth.
In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border.
Joey and Sissel are two misfits spending most of their time together talking or having sex. Gradually and slowly their relationships are becoming boring for them.
Middle-aged and divorced, Wilson finds himself lonely, smug and obsessed with his past.
The Truth About Charlie is a 2002 remake of the 1963 film Charade (which starred Cary Grant and Audrey Hepburn). It is also an homage to François Truffaut’s Shoot the Piano Player and that film’s star Charles Aznavour appeared as himself and sang his song “Quand tu m’aimes” (English version).
A police officer adopts the son and sole survivor of a family he has massacred while pursuing a terrorist. After some time the foster son finds out what the stepfather did.
Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams… until love unexpectedly brings her back to life.
In this third and final chapter of the ‘Perfect Stranger Trilogy’, Nikki Cominskey, now in her 40’s and no longer a high-powered attorney, finds that the spiritual life she signed on for is not all it was cracked up to be – leading to a second, and defining, encounter with the Son of Man.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
