When pursuing her dreams leads to a fractured relationship with her mother, a young student angrily leaves home, but soon finds herself the hostage of a deranged criminal who forces her to drive him across the country.

Reunited for the holidays, a group of friends raised together in a troubled Louisiana orphanage are stalked by a killer from Christmas Past.

Christie Parson has constant nightmares of her father’s death whom died in a swimming pool. Christie’s mother thinks it was an accident, but Christie believes in was murder. Christie then see’s an unknown figure dressed in a cape following her and harassing her. But still nobody believes her, until her boyfriend sees the figure himself. The figure hides in the town mortuary which is owned by Hank Andrews and his demented son, Paul and both are trying to form rituals to bring back Dr. Parson’s spirit. But who is this figure and why is he harassing Christie?

Brooklyn mobster and prolific hit man Jimmy Conlon has seen better days. Longtime best friend of a mob boss, Jimmy is haunted by the sins of his past—as well as a dogged police detective who’s been one step behind Jimmy for 30 years. But when Jimmy’s estranged son becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. Now, with nowhere safe to turn, Jimmy has just one night to figure out exactly where his loyalties lie and to see if he can finally make things right.

As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.

More shorts rounded up from festivals and hosted by a barely animated doll.

An African American male is imprisoned and placed in solitary confinement after being found guilty of murdering his wife, as he’s haunted by internal demons and his dead wife, and pushed to the breaking point by an abusive female guard.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can’t steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

While evil forces descend on Argentina, humanity’s best hope, a once-legendary shaman is confined to an insane asylum, powerless to avert the demonic resurrection.

The son of a fundamentalist pastor becomes addicted to an irresistible witch. If he gives in to his temptation, he will be doomed to eternal life on the dark side.

When Rachel’s husband disappears, the police have one suspect: her. While trying to prove her innocence, she uncovers many secrets about the man she married.

Five carnival workers are kidnapped and held hostage in an abandoned, Hell-like compound where they are forced to participate in a violent game, the goal of which is to survive twelve hours against a gang of sadistic clowns.