Russ McKamey is the creator of the world’s “most extreme haunted house” – McKamey Manor. He is also a manipulative abuser, according to three people who realize the horror is never over once you decide to enter the Manor.
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A concert pianist loses his hands in a car crash, but a surgeon gives him new ones. The experimental medical procedure goes awry when the new hands drive the pianist mad.
After housewife Meg is raped by the janitor she kills him and hits the road. She travels to the Big City where she is repeatedly used and abused. And when she finally finds a safe place to live her landlady’s son turns out to be a detective, which threatens her newly found identity and peace of mind.
After escaping a cult suicide, a paraplegic hospital patient is tormented by malevolent spirits and cursed to kill whomever hears her voice, unless she offers up the soul of her innocent nephew in place of her own.
When a college student is found dead, English professor Amy uses her crime fiction expertise to unravel the case faster than detective Travis, who ends up working with Amy to catch the killer.
When Lou Bloom, desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story. Aiding him in his effort is Nina, a TV-news veteran.
During the era of hyper-formulated pop music in the early 1980s, The Dream Syndicate emerged from Los Angeles as a sensation with their gritty, guitar-driven sound that relied heavily on feedback. How Did We Find Ourselves Here? chronicles the band’s journey from their early beginnings, through conflicts with former friends, battles with major record labels, and disbandment, to their eventual reunion in 2012. Despite never achieving widespread commercial success, the band maintains a devoted fanbase and commands great respect from musicians around the globe for their significant influence.
The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state – Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars – people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.
This documentary charts the complexity and genius of the NBA’s all-time leading scorer Kareem Abdul-Jabbar’s legendary career, both on and off the court. Spotlighting a six-time MVP and six-time world champion, the film examines his controversial and landmark moments, his outspoken feelings about race and politics, and the evolution of the game.
Animals attacks, says the TV news. But two ex-security agents know the real cause – maybe the real culprits. Shahrokh and Argenta are former employees of a company they knew to be conducting bizarre medical experiments. What has resulted are not animals attacks, but attacks by humans turned into vicious, decomposing, cannibalistic zombies. Their efforts to stem the violence in vain, hunted by the authorities, Shahrokh and Argenta escape the city just as it is engulfed in chaos. Their only hope lies in finding and organizing the few remaining survivors. What they find – three women claiming to be vampires with high-tech weaponry, a deranged and washed-up Mexican wrestler, a wounded soldier, and a scientist who may know more than he lets on – offer more questions than answers. Can this tiny cadre hope to defeat an army of the undead? And if they succeed…will there be anyone left alive?
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
Emily Johnson, her boyfriend Bobby and their friends Clare and Jude are recent college grads driving cross-country, taking a last vacation together before they face the “real” world. An accident leaves them hurt and stranded on a lonely Louisiana road. When the ambulance arrives, it whisks them to Mercy Hospital.
