Artist and filmmaker Philippe Mora (Mad Dog Morgan; The Howling II; Swastika) is producing a graphic novel about his late father, Georges, widely known in Melbourne as a beloved contemporary art patron and owner of bohemian eateries Mirka Café, Café Balzac and the Tolarno Restaurant and Galleries. Less known, however, is Georges’ astonishing history as part of the French resistance during World War II, his friendship with renowned mime Marcel Marceau (Philippe’s godfather), and how together they saved thousands of Jewish lives with a fiendishly simple trick involving baguettes and mayonnaise.
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This feature-length RealD™ 3D experience was filmed with revolutionary aerial devices and techniques to fly right alongside birds. This breathtaking journey will take viewers across the world’s most iconic landscapes to the heart of the greatest animal spectacles on Earth: snow geese dash through Monument Valley and New York City, vultures ascend miles above the earth then dive down to huge wildebeest herds below, scarlet macaws race at breakneck speed through the rainforest. Using unique, state-of-the-art 3D cameras in barely accessible and highly dangerous places, the audience has never before been so close to the drama and beauty of nature until now.
The 1960s was an extraordinary time for the United States. Unburdened by post-war reparations, Americans were preoccupied with other developments like NASA, the game-changing space programme that put Neil Armstrong on the moon. Yet it was astronauts like Eugene Cernan who paved the uneven, perilous path to lunar exploration. A test pilot who lived to court danger, he was recruited along with 14 other men in a secretive process that saw them become the closest of friends and adversaries. In this intensely competitive environment, Cernan was one of only three men who was sent twice to the moon, with his second trip also being NASA’s final lunar mission. As he looks back at what he loved and lost during the eight years in Houston, an incomparably eventful life emerges into view. Director Mark Craig crafts a quietly epic biography that combines the rare insight of the surviving former astronauts with archival footage and otherworldly moonscapes.
After 16-year-old Cyntoia Brown is sentenced to life in prison, questions about her past, physiology and the law itself call her guilt into question.
In 2022 a new mastermind entered the arena to craft the tests for the Fittest on Earth. Longtime CrossFit Games Head Judge and Seminar Staff Flowmaster Adrian Bozman’s approach to programming the CrossFit Games brought the sport’s top athletes back to the basics while challenging them to develop new skills. Tia-Clair Toomey vied for an unprecedented sixth title while rumors of retirement swirled and Mal O’Brien continued to rise. Meanwhile, 2021 Fittest Man on Earth Justin Medeiros worked to defend his title against determined competitors such as Roman Khrennikov – a multiyear qualifier who had yet to step onto the Games competition floor – and Ricky Garard, newly returned from a four-year ban for violating CrossFit’s drug policy. In “Fittest on Earth: Retro/Active,” watch as athletes face familiar movements with new twists, some thriving and others learning the hard way to begin anew with the basics, this time paying more attention.
There’s only one person who so accurately personifies movie magic in the history of film, and that man is special effects maestro Ray Harryhausen. Focusing on the man behind the landmark effects on films like Clash Of The Titans, One Million Years B.C., Jason And The Argonauts and many more, this in-depth film features interviews with the great man himself, and with an array of animators and directors influenced by his work including Guillermo del Toro, Peter Jackson, Nick Park, Terry Gilliam, James Cameron and Steven Spielberg. The film also features unseen footage of tests and experiments recently uncovered.
In 1972, Miyuki tells her ex-lover Kazuo that she’s going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women’s commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine in director D.W. Griffith’s controversial Civil War epic. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie’s congressman father and his African-American protégé, Silas Lynch.
A temporary house for abandoned children near the front line in eastern Ukraine is run by a small group of social workers determined to provide comfort and safety. It may be humble and somewhat run-down, but this house is filled with love and offers up to nine months of refuge to kids whose fate will be determined by the system. During this short time, the caretakers try to nurture within them a sense of stability and normalcy.
In the fall of 1950, Nat “Sweetwater” Clifton forever changed the game of basketball when he entered the NBA. The story of the first African American to land a contract to play in the NBA.
50 years ago, deep in the Welsh countryside, two brothers were milking cows and preparing to take over the family farm but dreamed of making music. They had the audacious idea to build a studio in their farmhouse. Animals were kicked out of barns and musicians moved into Nan’s spare bedroom. Inadvertently, they’d launched the world’s first independent residential recording studio: Rockfield. Black Sabbath, Queen, Robert Plant, Iggy Pop, Simple Minds, The Stone Roses, Oasis, Coldplay and more made music and mayhem at Rockfield over the decades. This is their story of rock and roll dreams intertwined with a family business’s fight for survival in the face of an ever-changing music landscape.
The music speaks for itself in this performance documentary that highlights some of the biggest names within the country-folk scene in Texas and Tennessee during the last weeks of 1975 and the first weeks of 1976, eschewing narration and staged interviews.