A newborn monkey and its mother struggle to survive within the competitive social hierarchy of the Temple Troop, a dynamic group of monkeys who live in ancient ruins found deep in the storied jungles of South Asia.
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The homosexual witch-hunt of public servants and military personnel in Canada from the 1950s through the early 1990s and its effects on the people whose lives and careers were disrupted or destroyed by it.
In El Quiñon, a newly-built but half-finished city in Spain, the ochre facades are juxtaposed to the fields of La Mancha. Residents talk about their hopes and dreams, illustrating through these revelations different ways of living in a city that was hard-hit by the financial crisis – and its continuing fallout – of 2008.
This documentary feature pulls back the curtain on the world of ‘working class’ rappers. The film spotlights independent artists struggling to find a balance between making a living and pursuing their art alongside the never-ending saga of age and relevance. Weaved together through a series of 30 plus interviews that are devoid of the ego so common in the business of music, especially hip-hop, the film traverses the country (USA) to explore the myths and misconceptions of life as a full-time rapper.
Drawing from never-before-seen footage that has been tucked away in the National Geographic archives, director Brett Morgen tells the story of Jane Goodall, a woman whose chimpanzee research revolutionized our understanding of the natural world.
“McConkey,” a 90-minute documentary to be released in 2013, is a heartfelt examination of the legacy one athlete left to the progression of his sports, and the path he paved to conquer his dreams. Shane McConkey is revered as the pioneer of freeskiing and ski base jumping, and through his talent and unique outlook on life, he inspired countless lives. In a new film from Red Bull Media House in association with Matchstick Productions, “McConkey” celebrates the life of one of the world’s ultimate innovators
Gil Scott-Heron, one of rap’s earliest (and unfortunately unknown) pioneers, gets his full due in Black Wax, the 1982 documentary recently reissued on video. Interspliced between performance footage of Scott-Heron and his Midnight Band are vignettes of him walking around Washington D.C., spouting his views on then-President Reagan (dubbed “Ray-Gun”) and generally dropping knowledge. The live performance features many of Scott-Heron’s best-known hits, including “Johannesburg,” “Winter in America,” and “Angel Dust,” among others. Warm, intelligent, and insightful throughout, Scott-Heron is clearly enjoying himself and the opportunity to espouse his views. A must for any fan of Scott-Heron’s, and definitely worth a look for fans of the funkier jazz music of the mid to late 1970’s.
In the 1990s, a motley band of teen surfers from the north shore of Oahu brought professional surfing to new heights. But as their stars rose, the competition threatened to tear their group apart.
Soul Power is a 2008 documentary film about the Zaire 74 music festival in Kinshasa which accompanied the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman in October 1974. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the film When We Were Kings.
A documentary about the work and personality of artist David Hockney.
Das Wassup follows the band ‘Yo Majesty’ through its trials and tribulations as they are making it in the music industry and not. The Band consists of three vocalists from Tampa, Florida, the producer team and record label is from the UK. The three lead women of the band had difficult upbringings and they fought hard to establish themselves as open out lesbians. Their compassion, fiery passion and authentic voices charm audiences.
Game Face shows the quest to self-realization of LGBT athletes and the acceptance in society. The film follows athletes during their coming out process, and sheds light on the obstacles LGBT sports players deal with throughout their career.
During the summer of 1966 Jonas Mekas spent two months in Cassis, as a guest of Jerome Hill. Mekas visited him briefly again in 1967, with P. Adams Sitney. The footage of this film comes from those two visits. Later, after Jerome died, Mekas visited his Cassis home in 1974. Footage of that visit constitutes the epilogue of the film. Other people appear in the film, all friends of Jerome.