Celebrated conceptual artist Ryan Gander investigates the selfie – the icon of a new kind of self-regard that hardly existed just ten years ago. He discovers the roots of the selfie go back hundreds of years before smartphones. In the age of social media, when we are told to be our best selves and live our best lives, he investigates what that really means and what technology is doing to our sense of self.

An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard’s Sensory Ethnography Lab, J.P. Sniadecki’s attentive documentary approach mixes perfectly with Joshua Bonnetta’s meditations on the materiality of film. Together, they’ve created an experience of the border region like nothing you’ve seen, heard or felt before.

Coşkun and his brother İrfan make a living selling pirated movies. Coşkun’s dream is to become a famous comedian and make movies. One day Coşkun meets Ayla, the love of his life, with pirated movies in his hands. Coşkun suddenly finds himself in an adventure where he tries to win Ayla’s heart and pursues his passion for cinema.

Finding himself in a house in the north of Iran by the Caspian Sea, the director picked up his handheld DV camera and began filming the seemingly anodyne events happening on the 500 metres of beach in front of his house—a piece of wood toyed with by the waves, people walking by the sea, indistinct shapes on a wintry beach or noisy ducks.

Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Martinson, who asserts that the apartment is hers — and promptly vanishes. When she starts appearing and disappearing at will, David thinks she’s a ghost, while Elizabeth is convinced she’s alive.

A championship high school basketball team provides pride, tradition and hope for an African American community struggling to survive in the middle of one of the wealthiest communities in America – The Hamptons.

An irresponsible young man in conflict with his mother wakes up one day and to his surprise, no-one he knows can recognize him, except for a local bread hawker..

Ally (Emmanuelle Vaugier) is a smart young career woman who needs a new job. Samantha (Cynthia Gibb) is a busy Beverly Hills advertising executive/mom whose too-well-mannered kids need some fun in their lives. And Danny Donner (Dean Cain) is the tough-guy owner of a chocolate company who wants a major ad campaign immediately. Could it all somehow lead to the Christmas that changes everyone’s lives forever? Richard Ruccolo, Sierra McCormick, Jared Gilmore and Sarah Thompson co-star in this surprising comedy about little white lies, big holiday wishes, and a woman who may just find love in the most unexpected places by becoming A NANNY FOR CHRISTMAS.

For Nick, Kurt and Dale, the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con, the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers… permanently.

In a candid, first-time interview with Rachel Lee, the so-called teenage mastermind behind a string of high-profile celebrity robberies in 2008 and 2009, the film examines the motivations of Lee and a group of her friends who broke into celebrity homes in Hollywood to ransack and steal, exploring the possible reasons behind her actions including mental health issues and addictions, as well as the climate of celebrity excess that fueled the teens, recontextualizing the events behind the sensational headlines.

Delphine and Yvan divorce. While his financial situation does not allow him to find a home, Yvan remembers that he owns 20% of his ex-wife’s house. He then returned to live with Delphine, in his 20%. The two ex will discover the joys of forced housemates.

The stooges need money for their father’s operation, so they head for the country to prospect for uranium. Instead of uranium, they discover oil on their father’s property and all their troubles are solved.