Mom N’ Pop The Indie Video Store Boom of the 80s/90s is an indie documentary chronicling the history of the video rental market and stores. Beginning in the mid 70s, the documentary will cover the rise in popularity and the fall in success in the mid to late 2000s. The entire documentary will cover the independent video stores, gas stations, tanning salons, etc that provided rental services (both videos and video games). The story will be told via variety of interviews and narration from the people that actually lived the story. Independent Video Store Owners, Filmmakers, Employees, Distributors, and more. The documentary hopes to tell a story of how these experiences shaped lives and built memories. Also we will look into the logistics of how local businesses dealt with rising distribution costs and ask the question of “Why did so many tanning salons also rent videos?”
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Pedra pàtria (Native Rock) is an autobiographical reflection on Menorcan identity. From a collection of letters, Macià, a filmmaker living in the city, delves into the personal history and sublime landscapes of Menorca, which he shares with his little brother, Lau, who decided to be a farmer on their home island.
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At 83, Chicago legend Buddy Guy remains the standard bearer for the blues, an icon determined to see the art form live on long after he’s gone. Enter guitar phenom Quinn Sullivan, who has been mentored by Guy since he was a kid. This stirring documentary, amplified by electrifying musical performances, charts the guidance Guy himself received from the likes of Muddy Waters and Howlin’ Wolf while observing the Grammy®-winner passing his wisdom to the next generation.
Having personally witnessed Sir Elton John’s failed attempt to adopt a child, a young couple questions themselves if they are ready for kids and whether everyone should match a certain criteria to be either biological or adoptive parents. The search for the answer pushes them into an entire journey through Nepal, Ukraine, China, the United Kingdom and the USA where they face corruption of the adoption system and have to stand against billions of dollars behind it… They meeting people who managed to adopt and those who failed because of their skin color, weight, or habits… In the middle of their investigation, they reveal that the right to have kids can be easily taken away from people even in most civilized countries… no votes needed, the regulations are already in action! Should we just accept these regulations or should fight against them?
This documentary follows rapper J. Cole’s 2016 HBO concert film feature on the making of 2014 Forest Hills Drive. The film Includes musical performances from Cole, as well as stories from low-income residents in cities around the country, such as Baton Rouge, Atlanta, and Cole’s hometown of Fayetteville, North Carolina.
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Evidence of Harm follows the lives of three health advocates as they struggle to inform the federal government and public that large amounts of toxic mercury vapors are released from “silver” amalgam dental fillings during routine dental procedures. The film presents a haunting portrait of a dental industry all too willing to turn a blind eye to science while placing profits and politics ahead of dental patient’s health.
In August, 2014, a video of the public execution of American photojournalist James Foley rippled across the globe. Foley wore an orange jumpsuit as he knelt beside an ISIS militant dressed in black. That image challenged the world to deal with a new face of terror. And it tested one American family. Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim takes us from small-town New England to the adrenaline-fueled front lines of Libya and Syria, where Foley pushed the limits of danger to report on the plight of civilians impacted by war.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
