A 40-year old actress (single and strong, yet lonely), her sister (an emotionally unstable schoolteacher whose married-with-kids life appears more orderly) and their domineering father, who gradually loses control over his family due to his wife’s sudden illness and his own health troubles; these are the three individuals at the heart of this film, a touching story about the strength of family ties in a situation of imminent danger.
You May Also Like
Based on the story about Guy Gabaldon, a Los Angeles Hispanic boy raised in the 1930s by a Japanese-American foster family. After Pearl Harbor, his foster family is interned at the Manzanar camp for Japanese Americans, while he enlists in the Marines, where his ability to speak Japanese becomes a vital asset. During the Battle of Saipan, he convinces 800 Japanese to surrender after their general commits suicide.
Mafia hitman Tommy Spinelli (Joe Pesci) is flying to San Diego with a bag that holds eight severed heads, which he’s bringing to his superiors to prove that some troublesome rival mobsters are permanently out of the picture. When his bag gets accidentally switched at the airport, Tommy must track down his duffel bag and the 8 heads it contains.
A debt-ridden father takes advantage of an unforeseen situation to disappear and live off the grid under a false identity. But a chance event occurs and the temptation to want to know his family resurfaces.
“American summer” is a road movie about life. It is loosely based on the adventures of real Eastern European university students selling books door to door in United States.
There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
Shot mainly in South East London, it’s about Micky Mason, a skilled manual worker who, since the Crash, can find nothing but menial zero hours jobs. He takes a course of action that is completely out of character, but it’s the only way he can see of keeping his family together. It is about surviving, but it’s not all anguish and despair – it’s also warm and tender, and funny. It’s about people finding their way through. It’s about Micky Mason; a man out there, right now, doing his best.
Every spring, there comes a day when women appear on the streets wearing skirts. Love is in the air on skirt day and the film follows sixteen colourful characters who attend a ‘Cooking Class for Singles.’ They hope to find their match during cooking speed-dates. Will ambitious lawyer Marijke win from her sexy best-friend Danielle? And is the shy Edwin able to put to practice what he learned through lessons on ‘how to seduce a woman’? And what about the founders of the Cooking Class: Alexandra and Bor. Is their marriage as good as Alexandra so desperately needs it to be? We follow them and other characters in this modern day romantic comedy on their collective journey in finding true love.
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
