Statistics show that during his professional career every railroad engineer working for railways, unintentionally kills 15 to 20 people. This is a story about the innocent mass murderers and their lives.

A bored journalist reporter’s baby monitor is picking up her neighbors’ phone conversations, and one neighbor’s dialogue in particular convinces her that he’s a murderer.

A female novelist takes a long trip to visit a bookstore run by a younger colleague who has fallen out of touch.

Mark Gatiss’s adaptation of HG Wells’s science fiction classic. July 1969, and as the world waits with bated breath for the Apollo astronauts to land on the Moon, a young boy meets 90-year-old Julius Bedford. He’s a man with an extraordinary story of how, way back in 1909, he got to the Moon first, and, together with the eccentric Professor Cavor, discovered a terrifying secret deep beneath its seemingly-barren surface.

A frontiersman and his son fight to build a new home in Texas.

A man haunted by the mysterious death of his 4-year-old sister brings her back to life thirty years later as an adult woman, with dire consequences.

Missy discovers the coveted role she’s scored as head coach of her daughter’s cheer squad comes with a deadly price.

The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)

Deadly dance tournament is carried out in the city survived after nuclear apocalypse. Energy is extracted from the loser for the city to survive. A young guy from the street is forced to take part in the tournament and falls in love with girl who volunteered to participate in the battle. Will they survive or the arena will take their lives?

Belinda Simpson is now a doctor in a small Missouri town where an unknown plague is spreading fear and resentment amoung the townspeople. One local resident thinks the illness was spread from the town orphanage and wants to see it shut down. Belinda struggles to make sense of the disease and God’s plan for the beleaguered town.

Shot over the course of their actual pregnancy with cast doubling as 2-man crew, Paula and Charlie document their impending parenthood during a time of extreme political division. Their heads remain in the sand about the greater world around them until it upends their privileged life. Now they face a situation Instagram never prepared them for, but that women all over the world face daily – bringing life into a country torn apart by war.

Ivan Lashin, a young man who lives with his mother in the country and works at home, met director Vitaly Suslin. The young man told the director about his life, they wrote a script together and thus the feature film “Head. Two Ears” was born, in which Ivan played himself as the main character. Russia’s most important festival Kinotavr declared it the best script and the film also received the award of the Russian Film Critics Guild. Now, a few years later, Vitaly and Ivan have made a new film which talks about Ivan’s life after festivals: has he changed, what is he dreaming about?