Robert J. Flaherty’s South Seas follow-up to Nanook of the North is a Gauguin idyll moved by “pride of beauty… pride of strength.”
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Told from the centre of the playing field, In The Middle follows a diverse group of match officials as they attempt to cope with the rigours of running matches in grassroots football. Experienced or new to it, young or old, male, female or non-binary, these unsung heroes tell us about their passion for the game, about their lives outside of it and why they’re drawn to the often-thankless task of refereeing.
Featuring shocking, never-before-seen law enforcement video surrendered by a disgraced officer, End of the Line: The Women of Standing Rock is the incredible story of the indigenous women who establish a peaceful camp in protest of the $3.8 billion Dakota Access oil pipeline construction that desecrated ancient burial and prayer sites and threatens their land, water, and very existence.
Marlene Cummins breaks a forty-year silence to tell the story of her abuse in the Australian Black protest movement, to overcome her demons of today.
Suzanne Joe Kai’s intimate documentary shows us how the Rolling Stone writer and editor defined the cultural zeitgeist of the ’60s and ’70s.
When does art become obscenity? Cover Your Ears takes a close look at this question through the lens of the past 100 years of music and the ever-evolving discussion of legal and moral lines in the industry
In 1996, the Menendez brothers faced trial for killing their parents, a case that captivated America. Years later, they share their side through interviews with those involved, offering a fresh take on the events.
Match of the Day’s Gary Lineker introduces a special countdown of some of John Motson’s greatest football commentaries from over 50 years as a broadcaster.
A documentary that follows a girl within the extreme side of BDSM.
Gorillas and Chimpanzees struggle for power and dominance within their clans.
“My new feature length documentary Breadcrumb Trail is about Slint and the Louisville music culture they emerged from. It includes footage going back to the early 1990s that I shot when repeatedly driving up from Athens, GA to Louisville to try to chase rumors of what they guys were up to. Over the years I tracked down more stories about them, then began filming interviews with each of the band members and their contemporaries. We also unearthed some unseen/uncirculated footage from their few live performances as well as the writing and arranging of Spiderland.”
Cameramen and women discuss the craft and art of cinematography and of the “DP” (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
The Drive-In Comedy Show was a success, but it didn’t come without any problems. Someone was offended by a joke targeting the trans community. Comedian Thai Rivera, a gay man, along with the LGBTQ Center have a meeting to discuss the matter for both sides to be heard.