On the eve of Y2K, orphaned 12-year-old Beverly discovers a broken mixtape crafted by her teen parents. Raised by her grandmother – who struggles talking about her late daughter – Beverly sees the mixtape as a chance to finally learn more about her parents.
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A young newspaper writer returns to her hometown in the English countryside, where her childhood home is being prepped for sale.
Five 2nd-grade kids who don’t follow strict rules by their school principal Brinway are dubbed “Stinkers” by him. On the class visit to an aquarium the Stinkers decide that a sea lion called Slappy doesn’t feel too good there, “free” him, and plant him into Brinway’s hot-tub.
Hollywood beckons for recent film school grad Nick Chapman, who is out to capitalize on the momentum from his national award-winning student film. Studio executive Allen Habel seduces Nick with a dream deal to make his first feature, but once production gets rolling, corporate reality begins to intervene: Nick is unable to control a series of compromises to his high-minded vision, and it’s all he can do to maintain his integrity in the midst of filmmaking chaos.
Summoned by the black sphere, Kei and Masaru fight against extraterrestrials until Masaru grows tired of fighting and refuses to continue.
A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.
An elderly gentleman lives alone with his maid Louise. He spends his days chatting with the confectioner who lives and works downstairs, playing chess with his brother Karl Fredrick, and content with his memories. His young wife Gerda ran out on him five years ago, taking their young daughter with her. Now, unbeknownst to the gentleman, she’s back… and living in the upstairs apartment with the child and her new husband. When Gerda finally faces the man, sparks will fly and old wounds will be reopened. Bergman’s TV adaptation of August Strindberg’s play “Storm” was presented on the 111th anniversary of the author’s birth. The production was also shown in Denmark and Norway and received glowing reviews. Bergman was celebrated as an outstanding TV director and was praised for his tact and sympathy in depicting old age, his superior lighting and fine camera work as well as his understanding of the medium in his use of close-ups.
Three rival actresses and their crew, desperate and hating each other, reunite for a horror movie sequel when someone starts killing them off just like in their movie, in this bitchy, raunchy comedy mystery.
Sam, newly a mother, shops at a supermarket with her baby and husband Carlson. She throws a neighborhood shishkabob party in her den. Her family shares a Sunday breakfast. But through her smiles and picturesque tasks, there’s a suppression. Sam’s grown something she can no longer contain. As she purges this parasite, we move inside her body and experience this wildness as a feverish dance.The parasite ejects us back into the kitchen of another woman, alone eating breakfast as she looks at a happy couple pictured on the back of her cereal box. It’s Sam and Carlson. What’s beneath a picture? A dream within a dream. Horror meets dance, SWALLOWED suggests a complex truth to motherhood and domesticity. (The Criterion Channel)
Mother and son, Diane and Michael Ireland have just completed another successful medial mission trip to Mexico. Caring for children, delivering supplies, and of course Michael’s cherished time with Marisol, the love of his life. The plane arrives to take them home to Mission Air, their home in Texas, when a group of bandits attack in an effort to steal the plane. The bandits now formulate a plan to kidnap the Ireland’s daughter and the crew must risk everything to save Sophie. There is a skirmish that ensues and the Irelands must rely on being protected by the armor of God in an effort to bring Sophie home. Action/Adventure that leaves you on the edge of your seat combined with faith and courage.
A cartoon about the famous four-legged inhabitants of the St. Petersburg Winter Palace – museum cats that protect the territory of the State Hermitage from rats and mice.