With a tale of a caper gone wrong, this black comedy evokes the freewheeling émigré culture of lads short on work and cash and long on heavy boozing in the Irish lairs of Brooklyn and the Bronx. James, who has just burned his last bridge and now lacks both a job and a wife, teams up with friend Eoin on a for-hire mission to the racetrack on behalf of slippery raconteur Timmy Thomas. In a clumsy attempt at sleight of hand by a pair who wouldn’t know a winning hand if they saw one, the boys screw up royally, putting themselves under heavy obligation to a clutch of gangsters. There’s a new angle when a bold lady with a soft spot for the sound of Irish and the hots for greenbacks sets her sights on James.
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Dracula and Renefield relocate to 70’s era New York in search of Cindy Sondheim (the reincarnation of Dracula’s one true love, Mina Harker). “Trouble adjusting” is a wild understatement for the Count as he battles Cindy’s psychiatrist, Jeffrey Rosenberg (a descendant of Van Helsing who changed his name for professional reasons?), who may almost certainly, possibly, may be in love with Cindy too.
Writer-director Randall Miller’s heart-achingly sweet drama centers on the unsatisfying personal life of protagonist Frank Keane (Robert Carlyle), a sensitive baker who remains deeply despondent over his late wife’s untimely death. When Frank helps a stranger (John Goodman) who’s sidelined by a fatal accident on his way to a fateful reunion, he decides to show up for the rendezvous in the man’s place. In the process, he finds hope and redemption.
When Duke Evans, out of work NSA analyst, is evicted from his home he moves his family to his grandfather’s old cabin. However here they are also threatened when a hellish cyber-attack is unleashed on the US rendering anything with a computer chip useless. He must now keep his family alive, fight off would be thieves and a newly corrupted government and ultimately make the hardest decision of his life- to survive. Written by Patterson, Matt (V)
After being traumatized by his brother Billy’s murderous rampage years earlier, Ricky Caldwell has become a serial killer himself and is now living in a mental hospital. Relating his story to a psychiatrist, Ricky recounts the details of their murder sprees and vows to avenge his brother’s death.
From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra organization to prevent them from plunging the world into chaos.
A young woman wakes up in a hospital, convinced she is recovering from minor surgery only to find herself in a battle of wits with a psychiatrist who can’t let her leave until she remembers “what happened that night.” Events turn a darker corner as doctor and patient try to unlock not only what traumatic event Anne is suppressing, but also who was there, why it happened, and why Anne’s subconscious is fighting so hard to prevent her from talking about it.
When his husband unexpectedly dies, Marc’s world shatters, sending him and his two best friends on a soul-searching trip to Paris that reveals some hard truths they each needed to face.
The action continues from [REC], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.
Six years after an apocalyptic event killed her family and seemingly everyone else on earth, a lone girl on the verge of insanity is forced to question everything she has ever known when a strange man suddenly appears at her door. The last girl on earth… is not alone.
Samantha and daughter Blake invite Chloe, a foreign exchange student from Britain, into their California home. The two girls become close friends but Samantha’s uneasiness begins with the suspicious death of Blake’s boyfriend. Samantha sets out to prove her daughter’s innocence, discovering Chloe’s ultimate plan is to “adopt” Samantha as her “mum”.
Initially, “Mulholland Dr.” was to mark David Lynch’s return to television. It is a retooling of a script originally shot as a 94-minute pilot for a TV series (co-written with TV screenwriter Joyce Eliason) for the channel ABC, which had approved the script, but chose not even to air the pilot once it was done in 1999, despite Lynch’s labours to cut the project to their liking. It was left in limbo until 18 month later French company Studio Canal Plus (also producer of ‘The Straight Story’) agreed to pay ABC $7 million for the pilot, and budget a few million more to turn the pilot into a two-hour, 27-minute movie. The cost of the film doubled to $14 million as sets had to be reconstructed and actors recalled.