An innocent young man, Leo Campbell, finds himself wrongly targeted by a powerful mafia group. He confides in Detective Tom Shaw to help him find answers to why a bounty is on his life.
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Thomas was once renowned as a young tennis prodigy, but never had the career he hoped for. At 37, despite his declining physical fitness and shattered knee he decides to compete in the intense qualifying rounds of the French Open at Roland-Garros for one last attempt at glory. Although his wife Eve and mother Judith advise him to give up, Thomas obsessively pushes forward. He will have to fight his own demons and will ultimately face a determined young player who reminds him of his younger self.
Set in the wake of unknown catastrophe which has resulted in an adult-free community being led by a cabal of former high school jocks. After two members set out on a dangerous journey into the unknown to find family and hope for the future, Caleb and his vicious underling Gentry follow in hot pursuit.
A group of friends goes to the forest. The guys are led there by curiosity: one of them received a strange message indicating the coordinates. Arriving at the scene, they decide that it was a prank. But as the sun sets, the heroes understand that the hunt has begun on them.
A Group of teenagers test the legend of an immortal witch and get more than they bargained for. It’s almost Halloween and six young people, spooked but not undaunted by the folklore surrounding an old haunted house, make their way to the abode of the legendary Wicked, perhaps hoping to provoke the malevolent witch, but clearly not prepared for what they’ve certainly unleashed.
The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s “Doorbell” and “Baby Blue” by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.
A father afflicted by photophobia searches for his daughter lost in the world of cybersex chat.
In a high-tech world, three intertwined stories discuss identity, online intimacy and the allure of social networks.
Eccentric millionaire Olivia sends her half sister Agatha, and a group of old acquaintances, a mysterious invitation for a weekend on her yacht, where they will discover the true motive behind this invitation: the celebration of… a murder?
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
Three actors in Hollywood live and love together. A director comes from New York to make a movie about actors and Hollywood.
