Perry Mason ventures to Paris to defend a U.S. Marine Corps Captain accused of murdering a man suspected of being a Nazi SS Officer.

A female doctor struggling to find her daughter after a long lost World War II biological weapon explodes on a U.S. military base in Bulgaria, turning people into mutant zombies.

An actor battling his own moral standards witnesses a neighbor’s murder and stumbles upon a load of cash the victim was hiding. He keeps the money, and in doing so, begins the performance of a lifetime to hide who he really is.

The life of Kim Davis, the young live-in girlfriend of legendary casino owner Ray Easler, is thrown upside down when she falls for Matt Duvall, the man Ray hires to bury his $20 million fortune of silver on the floor of the Nevada desert.

Wolfgang, a professional mercenary for hire is thrust in the middle of a local dispute when hired by a wealthy benefactor. But when he develops a friendship with a young orphan and a local tour guide, he is torn between his loyalty to violence for money, and righting wrongs in the name of innocents.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s “Doorbell” and “Baby Blue” by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Kickboxing champ Rick Quinn decides to retire from the ring, but his main adversary, Denard, wants him to fight again and murders Quinn’s wife. Quinn suspects Denard, but can’t do anything. Three month later, Quinn is jailed after a drunken bar brawl; a rich man named Le Braque bails him out and asks him to fight for him.

The owner of a tavern is pressured by the local mob to go into business with them, and figures it’s better all around if he does that rather than cause trouble. However, when he starts to see what kind of place his nice little neighborhood bar is turning into, and when one of the mob’s goons tries to rape his daughter, he decides to fight them.

A tough cop’s (Sylvester Stallone) seemingly frail mother (Estelle Getty) comes to stay with him and progressively interferes in his life. She buys him an illegal MAC-10 machine pistol and starts poking around in his police cases. Eventually, the film draws to a denouement involving the title of the film and the revelation that even though she seems frail and weak she is capable of strong actions in some circumstances, i.e. when her son is threatened by thugs and she shoots herself in the shoulder.

Hugh “Bulldog” Drummond is on the precipice of matrimony to his beloved Phyllis — but a bank robbery and a daring escape is going to get in their way before they reach the altar.

Former FBI Agent Will Graham, who was once almost killed by the savage Hannibal ‘The Cannibal’ Lecter, now has no choice but to face him again, as it seems Lecter is the only one who can help Graham track down a new serial killer.

He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.