Tommy Cooper was a national comedy institution whose catchphrases still remain in the language today. This bumbling giant with outsized feet and hands, whose mere entrance on stage had audiences erupting with uncontrollable laughter, was born in Caerphilly in 1921, where a statue is now erected in his honour – unveiled by Sir Anthony Hopkins. This programme looks at the life and art of the man in the fez, whose clumsy, fumbling stage magic tricks hid a real talent as a magician. His private life was complicated and often difficult, but as far as his audiences were concerned, he was first and foremost a clown whose confusion with the mechanisms of everyday life made for hilarious viewing.

Brenda Emmanus follows acclaimed artist Sonia Boyce as she leads a team preparing a new exhibition at Manchester Art Gallery, highlighting artists of African and Asian descent who have helped to shape the history of British art.

Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.

Using their bare hands, married couple Htwe Tin and Thein Shwe draw oil from a pit they drilled themselves on the land next to their house. There are lots of these “artisanal” oilfields dotted around Myanmar, where people have swapped crop cultivation for selling the oil they pump from the ground by hand.

A look at the varied new ways Americans are choosing to both find meaning and celebrate life as it comes to an end.

Firsthand accounts of World War II are shared in this documentary, which includes archival footage and more than 50 testimonies from American, British, German and Soviet servicemembers.

Explores the meaning of fame and influence in the digital age through an innovative social experiment. Following three Los Angeles-based people with relatively small followings, the film explores the attempts made to turn them into famous influencers by purchasing fake followers and bots to “engage” with their social media accounts.

War reporter Bob Woodruff leads veterans on an Arctic expedition to test a cure for post-traumatic stress and depression: the experience of awe in nature. As they trek across one of the world’s most dramatic and pristine wildernesses, researchers monitor changes to their physical and emotional well-being. Could this be the medicine they’ve been looking for?

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Coded tells the story of illustrator J.C. Leyendecker, whose legacy laid the foundation for today’s out-and-proud LGBTQ advertisements.

From the 1960s to the 1980s, the rock radio DJ played an unprecedented creative role in the rock music world. I Am What I Play profiles four disc jockeys in major markets during this period: their programming, their politics and their deep connections with musicians and fans in the heyday of rock radio. Where are they now – and how did they reinvent themselves as the medium changed? Featuring the music of The Ramones, Joni Mitchell, Rush, David Bowie, The Cars, The Sonics and more.

Jerry Ross Barrish sees the beauty in—and creates the unexpected out of—discarded materials. The son of hard-working Jewish immigrants with crime-family connections, Barrish worked for 50 years as a bail bondsman, much of it for radical protesters. He stumbled into acclaim as a filmmaker, earning the Museum of Modern Art’s prestigious New Director distinction and winning major European awards along the way. Then one day, inspiration struck as he picked up plastic trash on a beach, leading him to launch a whole new career as a sculptor. Though acclaimed by curators, he long went virtually unnoticed in the commercial-art realm. But at age 75, the unassuming Barrish may finally be on the verge of success, as William Farley’s engaging documentary goes to show. Seeing the playfulness of his pieces, you’ll understand why: with artificial materials, he has managed to capture real life. -Denver Film Society