Zen, an autistic teenage girl with powerful martial skills, gets money to pay Zin’s treatment, her sick mother, seeking out all the people who owe Zin money.

Shitu (Bao Beier), a migrant worker, took over a zoo that is on the verge of bankruptcy. He and his employees aim to save the zoo.

Carved from a lifetime of experience that runs the gamut from incarceration to liberation, Dog Eat Dog is the story of three men who are all out of prison and now have the task of adapting themselves to civilian life.

Ventriloquist Jeff Dunham brings his rude, crude and slightly demented posse of puppets to Ireland for a gleeful skewering of family and politics.

So Boring, a nobody who has no love from everyone except from childhood sweetheart Bobo, receives a weird text message one day, saying: Ever thought of deleting those you dislike?

Psychologist Kara Bischoff and LKA Commissioner Sibylle Deininger, once a couple, are reunited by a brutal murder case.

A common man who transforms into a gangster revolts against the very system he once obediently followed by declaring war on the police, the government, and the industrialists.

While shooting a film, the director becomes interested in the unfolding struggle of a young factory worker that has been laid off by a boss who did not like her union activities.

Disgraced by the ill-fated drug sting, ex-cop Dae-ho lives in Busan as a unofficial sheriff and looks after the town. Meanwhile, new businessman in town Dong-jin wins townspeople’s favor to start a beach resort, which becomes a huge hit. Dae-ho recalls that Dong-jin was somehow involved in the drug sting and begins an investigation, suspecting that he’s also involved in a drug case that took place recently.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Largo Winch, devastated by the kidnapping of his son, realizes that if he finds those responsible for his bankruptcy, maybe he’ll see his son again.

Cora, an heiress who gives it all up for the excitement of looking for a job and living on her own, meets up with unemployed and flat broke Dick. The two of them embark on a wild night of gambling and winning, where everything they touch turns to gold. Pretty soon they’re in love and, to the horror of Cora’s father, married.