Panorama goes undercover in the Probation Service, revealing how easy it is for convicted criminals to go on the run and that drug tests and regular room searches are not being carried out.

A film portrait of Argentinian pianist Margarita Fernández. Medium makes her visible as a mediator, building bridges between past and present, different generations, scores and music, sounds and images, her own art and that of cinema.

The border between the United Kingdom and the Republic of Ireland has meandered across rural Irish farmlands since its creation in 1922. Throughout this time film crews and journalists have descended upon the border, attempting to understand its absurdities and contradictions – and the turmoil it can cause. At yet another crucial moment in its history, Border Country: When Ireland Was Divided brings almost 100 years of archival footage together with the stories of people whose lives have been affected by the border.

In the National Geographic Channel special, “George W. Bush: The 9-11 Interview,” the former President talks about the chaotic moments after the attacks and the reasoning behind decisions he made that day. Bush reflects on being told about the attacks while visiting schoolchildren in Florida and the difficulty in getting accurate information in what he calls “the fog of war.” He also talks about returning to the White House to address Americans in the hours after the terrorist attacks. Fearing a possible psychological boost for al-Qaeda, Bush said he, quote, “damn sure wasn’t going to give it from a bunker in Nebraska.” The former President recalls the emotional visit to Ground Zero just three days after the World Trade Center Towers were destroyed. He describes “a palpable bloodlust” among workers in the ruins who were encouraging him to retaliate against those behind the attacks.

Terrified and bloody, Oscar Svendsen awakes clinched to a shotgun in a strippers joint. Around him 8 dead men, and police aiming at him. To Oscar it’s clear that he is innocent. It all started when four chaps won 1,7 million on the pools.

An inspiring documentary chronicling the rise, fall and resurrection of ’80s metal band Quiet Riot. The career of Frankie Banali, the band’s drummer, reached a serious crossroads when his best friend and bandmate died in 2007. Years later, Banali realizes he must forge ahead and make a new life for himself and his daughter and he goes on a quest to reunite the band and fill the immense void left by his bandmate.

Fans, experts and creators of “League of Legends” detail the game’s rise from free demo to global esports titan.

Les Blank’s first feature-length documentary captures music and other events at Leon Russell’s Oklahoma recording studio during a three-year period (1972-1974).

Inspired by true events, Don’t Say My Name tells the story of human trafficking survivor Adriana, after she bravely escape her captors. We’ll follow her harrowing journey of survival as she navigates the road to recovery.

A story about democracy, human rights, and what it means to stand up for your values in America today. On January 21, 2017, hundreds of thousands of women marched on Washington, DC. That same day, hundreds of sister marches took place across the country and around the world.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Gil Scott-Heron, one of rap’s earliest (and unfortunately unknown) pioneers, gets his full due in Black Wax, the 1982 documentary recently reissued on video. Interspliced between performance footage of Scott-Heron and his Midnight Band are vignettes of him walking around Washington D.C., spouting his views on then-President Reagan (dubbed “Ray-Gun”) and generally dropping knowledge. The live performance features many of Scott-Heron’s best-known hits, including “Johannesburg,” “Winter in America,” and “Angel Dust,” among others. Warm, intelligent, and insightful throughout, Scott-Heron is clearly enjoying himself and the opportunity to espouse his views. A must for any fan of Scott-Heron’s, and definitely worth a look for fans of the funkier jazz music of the mid to late 1970’s.