Oh Mal-Soon (Nah Moon-hee) is a 74-year-old widow that realizes she is becoming a burden on her family. As she is roaming the streets, she comes across a photo studio and decides to dress up for a self- portrait. When she walks out of the photo studio, she mysteriously turns back into her twenty year old self. Making the most out of this one in a lifetime opportunity, she changes her name to Oh Doo-Ri (Sim Eun-kyeong) and decides to make the most out of her youth.
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An anarcho-absurdist blood-soaked grand guignol indie flick with attitude to burn, this is the pitch perfect youth movie from Hong Kong. A twenty-something punk fancies himself a total player, but the best job he can find is overnight clerk at a convenience store. The other clerk is a cute chick and you’re thinking “rom com,” but then there’s a robbery, a gangster, a shoot-out, and by the time a neighbor is pulling out a homemade bomb, you realize that this violent farce is all about the current situation in Hong Kong where nothing makes sense, the heartless wipe their feet on the hopeless, and you might as well burn it all down because there are no more better tomorrows.
The heir to an oil fortune trades places with a water-ski instructor at a Florida hotel to see if girls will like him for himself, rather than his father’s money.
Three best friends endure heartbreak, humiliation & hangovers to find a date to the wedding of a lifetime.
Three aspiring ufologists set up a zany UFO shop (Global Unidentified Flying Object Research and Services) and unwittingly ignite the biggest UFO encounter since Roswell.
Pony and Birdboy tells a story of seven-year-old girl Pony, who doesn’t want to go to school, and big-mouthed Birdboy who has solution to all possible problems. Humoristic family-film Pony and Birdboy is partly based on Veera Salmi’s popular children’s book The Book of Pony and Birdboy, which rich humor and anarchist hustle have brought the book as a favorite of children.
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