In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.

Under the oppressive Japanese colonial rule, Deok-hye, the last Princess of the declining Joseon Dynasty, is forced to move to Japan. She spends her days missing home, while struggling to maintain dignity as a princess. After a series of failed tries, Deok-hye makes her final attempt to return home with help of her childhood sweetheart, Jang-han.

Raised in the Tennessee mountains, Wayne White started his career as a cartoonist in NYC. He quickly found success as one of the creators of the Pee-wee’s Playhouse TV show which soon led to more work designing some of the most arresting and iconic images in pop culture. Recently his word paintings featuring pithy and and often sarcastic text statements finely crafted onto vintage landscape paintings have made him a darling of the fine art world. The movie chronicles the vaulted highs and crushing lows of an artist struggling to find peace and balance between his professional work and his personal art. This is especially complicated for a man who struggles with the virtues he most often mocks in his art…Vanity, ego and fame.

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A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

The film explores the global power and impact of the music of John Coltrane and reveals the passions, experiences and forces that shaped his life and revolutionary sounds.

For 31 years Dennis Rader aka BTK killer was able to live a double life. This documentary chronicle’s comprehensive interviews with law enforcement, victim’s family members, reporters and his daughter Kerri Rawson.

In 1961, a 60 year old taxi driver stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. What happened next became the stuff of legend.

How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

The award-winning feature documentary That’s Wild tells the inspiring journey of three teenage boys at-risk from Atlanta attempting to climb four 12,000 ft snowcapped peaks in the heart of the Colorado wilderness, all while overcoming their own personal mountains.