The tradition of the Irish pub. Speaking to pub owners all over Ireland, Alex Fegan gets into the heart of what makes “the Irish pub” the institution that it is.

The Secret Diary Of The Holocaust tells the extraordinary tale of a 14-year-old Polish girl, Rutka Laskier, who was murdered at Auschwitz in 1943. In 2005, the school notebook in which Rutka recorded her last months in the ghetto of Bedzin was made public, six decades after she hid it under the floorboards of her home there. Rutka was immediately dubbed the ‘Polish Anne Frank’. In her diary, Rutka wrote about her life in the ghetto in 1943, detailing not just the Nazi atrocities, physical hardship and hunger, but also how she was developing as a young woman. She also tells how she made a daring escape from one of the early ‘aktions’, Nazi round-ups of Jews for transportation. The documentary will unravel Rutka’s story through the eyes of her half-sister, Israeli academic Zahava Scherz, on a journey to Poland in search of the sister she never knew.

The story of Nicholas Sand and Tim Scully, the unlikely duo at the heart of 1960s American drug counter-culture.

A documentary that profiles the life and work of artist Shepard Fairey. We follow his roots through punk rock and skateboarding to his creation of the iconic Obama HOPE poster, and the controversy that surrounds it.

South African producer / director JON DAY spent the last 5 years making a documentary about the mysterious rap-rave group, DIE ANTWOORD. Art directed by surrealist photographer, ROGER BALLEN. Narrated by NINJA & ¥O-LANDI’S daughter, 16 JONES.

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix’s post-performance antics — lighting a guitar on fire, breaking it and tossing a part into the audience — are captured.

In 1993, Sam Fuller takes Jim Jarmusch on a trip into Brazil’s Mato Grosso, up the River Araguaia to the village of Santa Isabel Do Morro, where 40 years before, Zanuck had sent Fuller to scout a location and write a script for a movie based on a tigrero, a jaguar hunter. Sam hopes to find people who remember him, and he takes film he shot in 1954. He’s Rip Van Winkle, and, indeed, a great deal changed in the village. There are televisions, watches, and brick houses. But, the same Karajá culture awaits as well. He gathers the villagers to show his old film footage, and people recognize friends and relatives, thanking Fuller for momentarily bringing them back to life.

Daniel Tosh is brutally honest in his newest stand-up special filmed at the Wilshire Ebell Theatre in Los Angeles. The comedian takes piercing shots at everyone, including couples who can’t conceive, parents of sick children, hoarders, marathoners, and his fans.

People who knew R. perceived her as a happy woman. A woman from Brno in her thirties who moved to Sweden together with her Slovak husband, psychiatrist Ivan. In their new home country, the young couple bought a house and had two children. It seemed that R.’s life would continue in a predictable way. As a distraction from the routine, she chose an unusual hobby. She created a male alter-ego and started writing novels for LGBTQ+ audiences. R. was happy but felt empty on the inside. She could only fill it by living out her true self. Things started speeding up and R. began changing. R. is now Marvin. And Marvin is a man.

The remarkable story of WWII infantryman and photographer Tony Vaccaro, who created one of the most comprehensive, haunting and intimate photographic records of the war using a smuggled $47 camera while developing the negatives in his helmet at night.

Former football player and wrestler Chris Nowinski’s quest to publicize recent findings about the often dire consequences of head concussions sustained by athletes in contact sports — injuries that have previously been considered momentary setbacks and ignored in the name of toughness and dedication to the team.

A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.