A stubbornly traditional eighty-year-old farmer — whose social attitudes verge on the prehistoric — raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law, in this hilarious social satire based on the wildly popular novel by Finnish author Tuomas Kyrö.
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Arulmozhi Varman continues on his journey to become Rajaraja I, the greatest ruler of the historic Chola empire of South India.
Maz Jobrani goes to Stockholm, Sweden for his third stand-up special and he shows that comedy can truly be a diplomatic tool when he makes an international audience laugh at topics from his family, to racism, politics and media. “I Come in Peace” is a comedy special that will have you laughing out loud while making you think.
When Ricky Miller, a single, quiet 40-year old aspiring writer and manager of Debbie’s (think Denny’s) and probably the last person you’d notice in a crowd is ‘hit by lightning’ and meets the love of his life, the beautiful Danita on E-Happily.com, he is catapulted into a relationship online but it’s a lot more than what he bargained for – this includes being asked to kill! Hounded by his best friend Seth who thinks no “10” would even go out with a guy like Ricky unless she had ulterior motives (or needed glasses), Ricky starts to get skeptical himself. Turns out, Danita confesses she’s actually married to a handsome affable crime novelist and former Rabbi, Ben Jacobs. Is Danita telling Ricky the truth when she says wants to leave her husband but fears for her life if she does? Will Ricky go through with the plan to kill him so he and Danita can live happily ever after?
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
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