Katie, a 17-year-old, has been sheltered since childhood and confined to her house during the day by a rare disease that makes even the smallest amount of sunlight deadly. Fate intervenes when she meets Charlie and they embark on a summer romance.
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Star reporter Lars Bogenius is a respected journalist and knows how to wow his readers and critics with emotional reportage. Emotional, realistic and moving, his style regularly promises to win him the industry’s most coveted awards. His publishing house is also grateful to the exceptional journalist, because the paper’s numbers are sinking and are being cushioned by Bogenius’ reportage, among other things. Everything sounds too good to be true – at least that’s the opinion of freelance journalist Juan Romero, who takes on the inconsistencies and looks deeper behind Bogenius’ research and reportage. It’s a dangerous plan that faces numerous obstacles. But what he discovers turns out to be the biggest journalism scandal in Germany.
A stubbornly traditional eighty-year-old farmer — whose social attitudes verge on the prehistoric — raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law, in this hilarious social satire based on the wildly popular novel by Finnish author Tuomas Kyrö.
The concept of an elevator to space is not new. In the world of Arthur C. Clarke, it is a natural progression. What most people don’t know is that men and women around the world are working hard to build it right this moment. Some want to solve the energy crisis, some want easier access to raw materials in the solar system, and some just want to travel to space and gaze upon their home planet. For all of them though, the elevator is more than just a science fiction plot, it is a way of life. Discover what happens when egos and passions collide in a quest to build the impossible.
Liborio is a peasant who disappears in a hurricane and returns as a prophet. He says he’s been given a mission: to bring the good and take away the evil, curing the sick and teaching by example. People begin to congregate by his side and they move to the mountains to have total freedom and develop his dream of an independent community. Everything changes when the invading US Marines wants to disarm and disband the community. Liborio wants to avoid a confrontation but they know they can’t run forever.
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
The story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.
Vietnamandapos;s first ever vampire movie. In a modern fantasy world, five young women gather to compete for a life-changing opportunity, unaware of a bloodthirsty plan that awaits them.
After the devastating Spitak earthquake of December 7th, Konstantin Berezhnoy, a 50-year-old Russian, and Robert Melkonyan, a 28-year-old Armenian, work together to rescue the desperate survivors.
During the Blitz of World War II, a female screenwriter (Gemma Arterton) works on a film celebrating England’s resilience as a way to buoy a weary populace’s spirits. Her efforts to dramatise the true story of two sisters (Lily Knight and Francesca Knight) who undertook their own maritime mission to rescue wounded soldiers are met with mixed feelings by a dismissive all-male staff.
