Monsoon is a Bollywood film Produced by Mahendra Dhariwal & Jitender Gulati and Directed by Suzad Iqbal Khan. The film stars Srishti Sharma, Sudhanshu, Shawar Ali, Vijay Singh and Raja Gulati. The film release on February 20, 2015. The story of this film is loosely based on an Italian romantic drama film Malèna.

Vietnam, 1969. War is Hell. For Marine Sergeant Jack Stryker (Brian Schulz), however, Hell is just the beginning. Trapped outside a Viet Cong village, Stryker takes two bullets to the leg. Sent home from the war, he discovers his ex-girlfriend (Cheryl Hausen) has been kidnapped by a religious cult with a vicious Manson-like leader (Sam Raimi). Stryker teams up with some marine friends to form an assassination squad and annihilate the gang of crazed killers.

A cold-blooded killer gets caught up in a surreal game of death in this neo-noir thriller starring Costas Mandylor. The winter winds are whipping outside when the unremorseful assassin dispatches with his latest target. But this time something goes wrong. Time begins to fold in on itself when a shadowy assailant strikes out from the darkness, turning hunter into prey in the span of seconds. The mysterious pursuer seems to anticipate the killer’s every move, and as events begin to repeat themselves nobody is who they seem. A sudden stranger to his friends and associates, the killer begins to question his sanity after fresh wounds vanish from his flesh without a trace. When an unexpected telephone call reveals that his intended target is still alive, he is forced to relive his actions time and again while speeding ever closer toward a confrontation with the one adversary who could bring about his downfall.

The larger-than-life story of Kim Dotcom, the “most wanted man online”, is extraordinary enough, but the battle between Dotcom and the US Government and entertainment industry – being fought in New Zealand – is one that goes to the heart of ownership, privacy and piracy in the digital age.

A corrupt cop gets in over his head when he tries to assassinate a beautiful Russian hit-woman.

Apartment concierge Cesar is a miserable person who believes he was born without the ability to be happy. As a result, he decides his mission is to make life hell for everyone around him. A majority of the tenants are easy to agitate, but Clara proves to be harder than the most. So Cesar goes to creepy extremes to make this young woman mentally break down. Things get even more complicated in this twisted relationship when her boyfriend, Marcos, shows up.

After a cataclysmic event, five strangers sealed inside an emergency shelter with all the comforts of home must learn to cope with their situation and with each other.

On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn’t seen in years. The disheveled and absent friend comes to him with one request: “I need you to come with me but, I can’t tell you where we’re going.” Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew’s nightmare asks how far you would go to help a friend.

A mother protects her stepdaughter after the teenager witnesses the murder of her best friend, but is soon forced to come to grips with the terrifying possibility that her stepdaughter may be the real killer.

Dr. Martin Blake, who has spent his life looking for respect, meets an 18-year-old patient named Diane, suffering from a kidney infection, and gets a much-needed boost of self-esteem. However, when her health starts improving, Martin fears losing her, so he begins tampering with her treatment, keeping Diane sick and in the hospital right next to him.

A victim of an assault undergoes therapy, separates from her husband, and has her daughter kidnapped. In between all this, she, works in a hospital, is contacted to kill someone over a vaccine.

Hyper-Reality presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media.